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The original "up to eleven" knobs in the 1984 film This Is Spinal Tap "Up to eleven", also phrased as "these go to eleven", is an idiom from popular culture, coined in the 1984 film This Is Spinal Tap, where guitarist Nigel Tufnel demonstrates a guitar amplifier whose volume knobs are marked from zero to eleven, instead of the usual zero to ten.
Tesla coil, 0.76 meters (2 ft 6 in) high, at 200 kV and 270 kV peak [4] 2.1 A High power LED current (peak 2.7 A) [5] 5 A One typical 12 V motor vehicle headlight (typically 60 W) 9 A 230 V AC, toaster, kettle (2 kW) 10 1: 10 or 20 A 230 V AC, Europe common domestic circuit breaker rating 15 or 20 A
The colors and impedances are: gold- 2 ohms, green- 2.7 ohms, red- 4 ohms, purple- 8 ohms, and blue- 16 ohms. The Hot Plate has a Line Out jack, which can be used to send a DI signal to the mixer, or to insert equalization, time effects, and possibly a solid-state amplifier between the distorting tube power amp and the guitar speaker. The Line ...
An ammeter (abbreviation of ampere meter) is an instrument used to measure the current in a circuit. Electric currents are measured in amperes (A), hence the name. For direct measurement, the ammeter is connected in series with the circuit in which the current is to be measured.
These amps were the Princeton, the Deluxe and the Professional. The Princeton was a small six watt amp with an 8" Jensen field-coil speaker. This amp had no controls as it was designed for the guitar to solely control the volume and was simply turned on by plugging/unplugging into the wall plug.
One of the challenge with the large, powerful 4x10 Fender Bassman-type amps is that to get the tone a player wants, they have to turn up the amp to a loud volume. These amps are designed to produce a variety of sounds ranging from a clean, warm sound (when used in country and soft rock) to a growling, natural overdrive, when the volume is set ...
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These circuit changes gave the amp more gain so that it broke into overdrive sooner on the volume control than the Bassman, and boosted the treble frequencies. This new amplifier, tentatively called the "Mark II", was eventually named the " JTM 45 ", after Jim and his son Terry Marshall and the maximum wattage of the amplifier.