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Margaret is shown in three-quarter view, that is her body almost directly facing the viewer but not quite. She is set against a flat black and featureless background, wearing an elegant red woolen gown with grey fur lining (in the medieval period fur often represented female sexuality), probably from squirrel, [4] in the neck and cuffs.
The eveningwear portion comprised 1950s-inspired ball gowns, including a red one with a voluminous mermaid skirt that evoked the designs of Charles James. [ 14 ] [ 23 ] [ 21 ] The dress which closed the collection was a take on the bejewelled, flesh-toned, and skintight dress worn by actress Marilyn Monroe when she sang " Happy Birthday " to ...
Amy Adams Wears an Elegant Off-the-Shoulder Gown Matt Winkelmeyer - Getty Images. For the first time since 2019, Amy Adams is stepping back out onto the Golden Globes red carpet.
The elegant silhouette of Dürer's characters served as the model for Cranach's chiaroscuro woodcut as an introduction to his aesthetic canons. Cranach used a slightly lengthened figure in Venus and Cupid with the Honeycomb, as well as a dance-like step that adheres to the Flemish-Burgundian aesthetic standards of the Wittenberg court. His ...
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Young Woman in White on a Red Background (French: Jeune femme en blanc, fond rouge) is an oil on canvas painting by Henri Matisse, from c. 1946. It is held in the Museum of Fine Arts of Lyon . [ 1 ] [ 2 ]
Christoffel van der Laemen is known for his merry company scenes depicting elegant figures. The compositions reprise many of the themes common in Northern genre painting of the 17th century such as card and backgammon players, brothel scenes, the prodigal son, dancing, music making and scenes of food and drink set in elegant rooms, inns and gardens.
Madras Rouge (The Red Madras Headdress) is a painting by Henri Matisse from 1907. The woman depicted is the painter's wife, Amélie Noellie Parayre Matisse. It is held in the Barnes Foundation, in Philadelphia. The painting was illustrated in Gelett Burgess, "The Wild Men of Paris", The Architectural Record, May 1910, New York. [1]