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"Mambo" is a 1938 danzón nuevo ritmo by Arcaño y sus Maravillas.It was composed by the band's cellist/multi-instrumentalist Orestes López. [1] The piece includes a final section with syncopated montunos which would give rise to the mambo music genre popularized by Dámaso Pérez Prado and others.
Like many other 1950s recordings by the Maravillas, this piece likely originated from an earlier composition from the period when Cachao and his brother Orestes composed most of the bands danzones (1937–1950). Most authors agree that "Rareza de Melitón"—first played by the Maravillas in 1942—is the precursor to "Chanchullo".
The band featured the López brothers, Israel López "Cachao" and Orestes López, composers and multi-instrumentalists that originated the danzón-mambo, the direct precursor of the mambo, through compositions such as "Rareza de Melitón", "Se va el matancero" and, above all, "Mambo", the piece that lent its name to the genre.
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Mambo is a genre of Cuban dance music pioneered by the charanga Arcaño y sus Maravillas in the late 1930s and later popularized in the big band style by Pérez Prado.It originated as a syncopated form of the danzón, known as danzón-mambo, with a final, improvised section, which incorporated the guajeos typical of son cubano (also known as montunos).
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Chaney was born on April 30, 1957, [1] [2] and grew up in Deephaven, Minnesota. [3] [4] He was interested in music from a young age, and bought his first guitar, a Gibson Les Paul, at age 14 after saving money from working at his father's landscaping business.