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Sometimes, especially in blues music, musicians will take chords which are normally minor chords and make them major. The most popular example is the I–VI–ii–V–I progression; normally, the vi chord would be a minor chord (or m 7, m 6, m ♭ 6 etc.) but here the major third makes it a secondary dominant leading to ii, i.e. V/ii.
The root movement of the V−IV−I cadential formula found in the blues is considered nontraditional from the standpoint of Western harmony. [7] The motion of the V−IV−I cadence has been considered "backward," [2] as, in traditional harmony, the subdominant normally prepares for the dominant which then has a strong tendency to resolve to the tonic.
Cassandra O'Neal (born Cassandra Louise O'Neal on January 17, 1973) is an American musician, composer, and recording artist. Best known as keyboard player (2009–2016) with Prince and The New Power Generation, she has an impressive resume of work with major industry (gospel, pop and funk) artists for over twenty-five (25) years.
The ' 50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [1] [2] the doo-wop progression [3]: 204 and the "ice cream changes" [4]) is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is I–vi–IV–V. For example, in C major: C–Am ...
Wesendonck Lieder, WWV 91, is the common name of a set of five songs for female voice and piano by Richard Wagner, Fünf Gedichte für eine Frauenstimme (Five Poems for a Female Voice). He set five poems by Mathilde Wesendonck while he was working on his opera Tristan und Isolde .
Passing chords may be written into a lead sheet by a composer, songwriter, or arranger. As well, particularly in smaller ensembles, such as the organ trio or jazz quartet, the comping (chord-playing) rhythm section instrumentalists (e.g., jazz guitar, jazz piano, Hammond organ) may improvise passing chords.
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