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The duality portrayed in the book was the first of its kind to depict the different moral realms humans are battling within themselves. It was the first time one got to read how all are participating in the war of the soul, because Vice and Virtue both live within them and their decisions and actions determine the outcome of the conflict.
[14] The duality is also seen in the healing traditions of Austronesian shamans, where illnesses are regarded as a "soul loss" and thus to heal the sick, one must "return" the "free soul" (which may have been stolen by an evil spirit or got lost in the spirit world) into the body. If the "free soul" can not be returned, the afflicted person ...
The poem also emphasizes the idea that the divine exists both inside and outside of oneself, and that one's judgment and salvation are dependent on their relationship to the divine. It offers a unique perspective on the nature of the divine and the individual's relationship to it, and it highlights the idea of duality and the interconnectedness ...
The full title of the work is The Mirror of the Simple Souls Who Are Annihilated and Remain Only in Will and Desire of Love. The meditations were originally written in the Picard dialect of Old French [2] and explore in poetry and prose the seven stages of "annihilation" that the Soul goes through on its path to Oneness with God through love.
Browning based del Sarto's love for his wife, Lucrezia, on his own love for his wife. [11] Andrea del Sarto explores broad themes such as if all human interactions are governed by aesthetic or exchange value, failure, whether one's wife is a possession, and morality in general.
The creation dates of some of the poems in the Divan are unknown. [22] However, a major portion of the Divan’s poems were written in the initial aftermath of Sham’s second disappearance. [22] Therefore, most of the poems probably date from around 1247 C.E. and the years that followed until Rumi had overcome his grief over the loss of Shams ...
Dorothea Frede argued that “as to the exact nature of the soul we are left somehow in the dark by Plato in the Phaedo and also in Republic X." [28] D.R. Campbell argued that "Plato believes that the soul must be both the principle of motion and the subject of cognition because it moves things specifically by means of its thoughts." [29]
The Apollonian and the Dionysian are philosophical and literary concepts represented by a duality between the figures of Apollo and Dionysus from Greek mythology.Its popularization is widely attributed to the work The Birth of Tragedy by Friedrich Nietzsche, though the terms had already been in use prior to this, [1] such as in the writings of poet Friedrich Hölderlin, historian Johann ...