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Shall We Dance? (1951 song) A Ship Without a Sail; Sing for Your Supper; Sixteen Going on Seventeen; So Far (Rodgers and Hammerstein song) So Long, Farewell; Soliloquy (song) Some Enchanted Evening; Something Good (Richard Rodgers song) Something Wonderful (song) The Sound of Music (song) Spring Is Here; The Surrey with the Fringe on Top; The ...
Richard Charles Rodgers (June 28, 1902 – December 30, 1979) was an American composer who worked primarily in musical theater.With 43 Broadway musicals and over 900 songs to his credit, Rodgers was one of the most well-known American composers of the 20th century, and his compositions had a significant influence on popular music.
British singer and songwriter Rod Stewart's version of "Reason to Believe" appeared as the first single from his 1971 album, Every Picture Tells a Story, with "Maggie May" as the B-side. "Reason to Believe" reached No. 62 on the Hot 100 on its own before the more popular B-side overtook it on its way to No. 1 on the chart. The Hot 100 listed ...
Rodgers (left) and Hammerstein (right) watching auditions at the St. James Theatre on Broadway in 1948. Rodgers and Hammerstein was a theater-writing team of composer Richard Rodgers (1902–1979) and lyricist-dramatist Oscar Hammerstein II (1895–1960), who together created a series of innovative and influential American musicals.
Andy Williams Sings Rodgers and Hammerstein is the second studio album by American pop singer Andy Williams and was orchestrated and conducted by Alvy West. [4] It was released in February 1958 by Cadence Records and focuses upon songs composed by Richard Rodgers with lyrics by Oscar Hammerstein II .
Beguiled Again is a musical revue compiling the works of Richard Rodgers (music) and Lorenz Hart (lyrics), who are often referred to as Rodgers and Hart. The show was conceived by J. Barry Lewis, Lynnette Barkley and Craig D. Ames. It is almost entirely music, with minimal dialogue between some of the songs.
Rodgers and Hart were an American songwriting partnership between composer Richard Rodgers (1902–1979) and the lyricist Lorenz Hart (1895–1943). They worked together on 28 stage musicals and more than 500 songs from 1919 until Hart's death in 1943.
The song is a confession of love between Maria Kutschera and Captain Georg von Trapp. It appears in the film shortly after Maria returns to the house and after the Captain and Baroness Schräder have their falling out. [4] A 2004 article of American Music said that the song could be interpreted on two levels. The magazine asserted that on a ...