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The Fibonacci sequence is frequently referenced in the 2001 book The Perfect Spiral by Jason S. Hornsby. A youthful Fibonacci is one of the main characters in the novel Crusade in Jeans (1973). He was left out of the 2006 movie version, however. The Fibonacci sequence and golden ratio are briefly described in John Fowles's 1985 novel A Maggot.
Fibonacci numbers are also strongly related to the golden ratio: Binet's formula expresses the n-th Fibonacci number in terms of n and the golden ratio, and implies that the ratio of two consecutive Fibonacci numbers tends to the golden ratio as n increases. Fibonacci numbers are also closely related to Lucas numbers, which obey the same ...
In the Fibonacci sequence, each number is the sum of the previous two numbers. Fibonacci omitted the "0" and first "1" included today and began the sequence with 1, 2, 3, ... . He carried the calculation up to the thirteenth place, the value 233, though another manuscript carries it to the next place, the value 377.
The n-Fibonacci constant is the ratio toward which adjacent -Fibonacci numbers tend; it is also called the n th metallic mean, and it is the only positive root of =. For example, the case of n = 1 {\displaystyle n=1} is 1 + 5 2 {\displaystyle {\frac {1+{\sqrt {5}}}{2}}} , or the golden ratio , and the case of n = 2 {\displaystyle n=2} is 1 + 2 ...
Exceptionally, the golden ratio is equal to the limit of the ratios of successive terms in the Fibonacci sequence and sequence of Lucas numbers: [42] + = + =. In other words, if a Fibonacci and Lucas number is divided by its immediate predecessor in the sequence, the quotient approximates φ {\displaystyle \varphi } .
All Fibonacci-like integer sequences appear in shifted form as a row of the Wythoff array; the Fibonacci sequence itself is the first row and the Lucas sequence is the second row. Also like all Fibonacci-like integer sequences, the ratio between two consecutive Lucas numbers converges to the golden ratio .
Fibonacci used a composite fraction notation in which a sequence of numerators and denominators shared the same fraction bar; each such term represented an additional fraction of the given numerator divided by the product of all the denominators below and to the right of it.
Georges Seurat, 1887-88, Parade de cirque (Circus Sideshow) with a 4 : 6 ratio division and golden mean overlay, showing only a close approximation to the divine proportion. Matila Ghyka [30] and others [31] contend that Georges Seurat used golden ratio proportions in paintings like Parade de cirque, Le Pont de Courbevoie, and Bathers at ...