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G major is the key stipulated for the royal anthem of Canada, "God Save the King". [4] The anthem " God Defend New Zealand " ("Aotearoa") was originally composed by John Joseph Woods in A-flat major , but after becoming New Zealand's national anthem in 1977, it was rearranged into G major to better suit general and massed singing. [ 5 ]
List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual ; 15 equal temperament
Although the enharmonic key of A-flat major is preferred because A-flat major has only four flats as opposed to G-sharp major's eight sharps (including the F), G-sharp major appears as a secondary key area in several works in sharp keys, most notably in the Prelude and Fugue in C-sharp major from Johann Sebastian Bach's The Well-Tempered Clavier, Book 1.
In the key of C major, these would be: D minor, E minor, F major, G major, A minor, and C minor. Despite being three sharps or flats away from the original key in the circle of fifths, parallel keys are also considered as closely related keys as the tonal center is the same, and this makes this key have an affinity with the original key.
The Ionian mode is a musical mode or, in modern usage, a diatonic scale also called the major scale.It is named after the Ionian Greeks.. It is the name assigned by Heinrich Glarean in 1547 to his new authentic mode on C (mode 11 in his numbering scheme), which uses the diatonic octave species from C to the C an octave higher, divided at G (as its dominant, reciting tone/reciting note or tenor ...
Each of the other five notes, Re, Ga, Ma, Dha and Ni, can take a 'regular' (shuddha) pitch, which is equivalent to its pitch in a standard major scale (thus, shuddha Re, the second degree of the scale, is a whole-step higher than Sa), or an altered pitch, either a half-step above or half-step below the shuddha pitch.
For instance, in a chromatic scale each scale step represents a semitone interval, while a major scale is defined by the interval pattern W–W–H–W–W–W–H, where W stands for whole step (an interval spanning two semitones, e.g. from C to D), and H stands for half-step (e.g. from C to D ♭).
For instance, in the four-shape tradition used in the Sacred Harp and elsewhere, the notes of a C major scale are notated and sung [a] as follows: The C major scale in shape notes. A skilled singer experienced in a shape note tradition has developed a fluent triple mental association, which links a note of the scale, a shape, and a syllable.