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A sample of tabla play by Yavagal. Yavagal played tabla in India and as well as internationally at music concerts – solo performances and also accompanied hundreds of instrumentalists and vocalists including several prominent artistes the likes of Ajoy Chakrabarty, Basavaraj Rajguru, Bhimsen Joshi, C. R. Vyas, Gangubai Hangal, Jasraj, Mallikarjun Mansur, Parveen Sultana, Rajan and Sajan ...
A demo of tabla playing. A tabla [nb 1] is a pair of hand drums from the Indian subcontinent.Since the 18th century, it has been the principal percussion instrument in Hindustani classical music, [3] where it may be played solo, as an accompaniment with other instruments and vocals, or as a part of larger ensembles.
Tabla. Paṅjāb Gharānā (Urdu:پنجاب گھرانا) (Hindi: पंजाब घराना) (Punjabi: ਪੰਜਾਬ ਘਰਾਨਾ), sometimes called Punjabi or Paṅjābī Gharānā, is a style and technique of tabla playing that originated in the Punjab region of the Indian subcontinent, now split between present-day Pakistan and India. [1]
Pt. Gaitonde started learning tabla from his father, a doctor by profession. At Kolhapur, he studied with Sudhakar Digrajkar, Ramakant Bedagkar, Mhamulal Sangawkar, and Balubhaiya Rukadikar, who acquainted his father's medical practice. [4] He learnt the intricacies of Tabla under 9 different Gurus during his entire lifetime.
Mazumdar was born in Allahabad, and started learning tabla and Hindustani vocals at the age of seven. In 1981, he became a disciple of Kaviraj Ashutosh Bhattacharya. In 1988, Mazumdar went to Delhi and became the disciple of the sitar maestro Ravi Shankar .
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1995 "The Cyclic Form in North Indian Tabla", Percussive Notes, Lawton OK: August 1994; Vol.33, No 6: pp 32–45. 1995 Fundamentals of Tabla. Houston TX: Sur Sangeet Services. 2000 Advanced Theory of Tabla. Houston TX: Sur Sangeet Services. 2001 Manufacture and Repair of Tabla. Houston TX: Sur Sangeet Services. 2001 Learning the Tabla (Volume 1).
Ahmed Jan later known as 'Ahmed Jan Thirakwa' was born to a family of musicians in 1892 in Moradabad in the North-Western Provinces of British India. [5] Although his early musical training was in Hindustani vocals and the sarangi, his interest in tabla was aroused when he first heard tabla player Munir Khan.