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It is the national dance of Laos, and versions of it exist throughout the Lao-speaking region and even Cambodia, where it is known as ramvong. A slow and graceful couples dance, the men form an inner circle and the women an outer circle, with couples dancing around each other while moving in their respective circles.
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Lucrecia Faustino Reyes-Urtula (June 29, 1929 – August 4, 1999) was a Filipino choreographer, theater director, teacher, author and researcher on ethnic dance. She was the founding director of the Bayanihan Philippine National Folk Dance Company and was named National Artist of the Philippines for dance in 1988.
In Laos, the traditional folk music is referred to as ລຳ, lam /lám/, which refers to both the verb and noun 'dance', and is in general use in the central and southern areas of the country. In northern Laos, the regional folk music styles are referred to as ຂັບ, khap /kʰáp/ , and signifies 'to sing' or a 'song'.
The circular dance style is claimed as a traditional dance in the four countries of the region where it is often part of traditional festivities, popular celebrations and modern parties. In addition to the dominant Khmer , Lao , Malay and Thai cultures , romvong is also common among many other groups indigenous to Southeast Asia.
One of the most striking features of Indian classical dance and dances of Thailand, [1] Cambodia, Laos, Myanmar and the Malay world is the use of hand gestures. Speaking in dance via gestures in order to convey outer events or things visually is what mudras do. To convey inner feelings, two classifications of mudras (hand or finger gesture) are ...
Music varies widely across Laos, with the lam saravane style being most popular, while the city of Luang Prabang is known for a slow form called khaplam wai. An extremely popular form of Lao lam that developed in Thailand is called mor lam sing , and is faster and electrified.
Lam saravane [1] (Lao: ລຳສາລະວັນ, Thai: ลำสาละวัน) is a popular folksong originally from the southern province of Saravane Province of Laos, [2] but popular throughout the Lao-speaking world, including the Isan region of Thailand, [3] but it is also regarded as a traditional folksong and dance of Khmer culture.