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The background of the painting shows the rest of factory floor, populated with women working at their benches; there is one man present, probably the foreman, given that he wears a tie. [24] [21] The clothing worn by the women carries a patriotic tone, according to the art historian Mike McKiernan, as reds, whites and blues dominate. [25]
By 1945 there were 4.7 million women in clerical positions - this was an 89% increase from women with this occupation prior to World War II. [8] In addition, there were 4.5 million women working as factory operatives - this was a 112% increase since before the war. [8] The aviation industry saw the highest increase in female workers during the war.
American women in World War II became involved in many tasks they rarely had before; as the war involved global conflict on an unprecedented scale, the absolute urgency of mobilizing the entire population made the expansion of the role of women inevitable. Their services were recruited through a variety of methods, including posters and other ...
Several hundred thousand women served in combat roles, especially in anti-aircraft units. The Soviet Union integrated women directly into their army units; approximately one million served in the Red Army, including about at least 50,000 on the frontlines; Bob Moore noted that "the Soviet Union was the only major power to use women in front-line roles," [2]: 358, 485 The United States, by ...
Monument to the Women of World War II (looking north) The initial design involved a female Air Raid Warden sheltering children; however, this was simplified until the final design was created. [2] The bronze monument stands 22 feet (6.7 m) tall, [6] 16 feet (4.9 m) long and 6 feet (1.8 m) wide. [4]
Alfred T. Palmer (March 17, 1906 – January 31, 1993) [1] was an American photographer best known for his photographs depicting Americana during World War II, [2] taken for the Office of War Information from 1942 to 1943.
An appeal to self-interest during World War II, by the United States Office of War Information (restored by Yann) Wait for Me, Daddy , by Claude P. Dettloff (restored by Yann ) Selection on the ramp at Auschwitz-Birkenau at Auschwitz Album , by the Auschwitz Erkennungsdienst (restored by Yann )
Australian women during World War II played a larger role than they had during The First World War, when they primarily served as nurses and additional homefront workers. Many women wanted to play an active role in the war, and hundreds of voluntary women's auxiliary and paramilitary organisations had been formed by 1940. [ 52 ]