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Quarter tone on C. A quarter tone is a pitch halfway between the usual notes of a chromatic scale or an interval about half as wide (orally, or logarithmically) as a semitone, which itself is half a whole tone. Quarter tones divide the octave by 50 cents each, and have 24 different pitches.
Comparison between tunings: Pythagorean, equal-tempered, quarter-comma meantone, and others.For each, the common origin is arbitrarily chosen as C. The degrees are arranged in the order or the cycle of fifths; as in each of these tunings except just intonation all fifths are of the same size, the tunings appear as straight lines, the slope indicating the relative tempering with respect to ...
Pages in category "Quarter tones" The following 7 pages are in this category, out of 7 total. This list may not reflect recent changes. ...
More generally, three genera of seven octave species can be recognized, depending on the positioning of the interposed tones in the component tetrachords: The diatonic genus is composed of tones and semitones, the chromatic genus is composed of semitones and a minor third, the enharmonic genus consists of a major third and two quarter-tones or ...
(Another notation for the demiflat is a flat with a diagonal slash through its stem. In systems where pitches are divided into intervals smaller than a quarter tone, the slashed flat represents a lower note than the reversed flat.) Flat-and-a-half (sesquiflat) Lowers the pitch of a note by three quarter tones. As with a demiflat, a slashed ...
Name Definition Example Setting as a form of symbolism or allegory: The setting is both the time and geographic location within a narrative or within a work of fiction; sometimes, storytellers use the setting as a way to represent deeper ideas, reflect characters' emotions, or encourage the audience to make certain connections that add complexity to how the story may be interpreted.
A sharp-and-a-half, three-quarter-tone sharp, or sesquisharp raises a note by three quarter tones. Although very uncommon, a triple sharp ( or ♯ ) can sometimes be found. It raises a note by three semitones or a whole tone and semitone .
Dialogue, for two pianos tuned a quarter-tone apart, eight hands, W.o.O. (1959) Dithyrambe, for two pianos tuned a quarter-tone apart, Op. 12 (1923–1924) Études sur les mouvements rotatoires, for two pianos tuned a quarter-tone apart, eight hands, Op. 45a.; for chamber orchestra, Op. 45c (1961)