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Guṇa is both a root and a word in Sanskrit. Its different context-driven meanings are derived from either the root or the word. In verse VI.36 of Nirukta by Yāska, a 1st millennium BC text on Sanskrit grammar and language that preceded Panini, Guṇa is declared to be derived from another root Gaṇa, [16] which means "to count, enumerate". [17]
In this play Rama's sons Lava and Kusha fight with army of Rama who protect horse of Ashwamedha. only Three mss of this play survived. It is very rare play because only four play are based on uttara-ramayana. Chalita-Rama based on Rama's later life written in 9th century. In this play surpanakha planned plot and sita exiled But today we not ...
Contrary to the popular depiction of Rama with blue skin similar to Vishnu, Krritivasa described Rama's complexion to be 'as green as fresh grass'. Like its model, Valmiki's Ramayana , the work is divided into seven books, in this case Adikando , Ajodhyakando , Aranya Kando , Kishkindha Kando , Sundor Kando , Lankhakando , and Uttorkando . [ 8 ]
The Hindu figure of Rama is often presented as an ideal man, representing the epitome of righteousness, compassion, duty, sacrifice, and leadership, making him an enduring symbol of ethical and moral conduct. [1] Rama's adherence to righteousness, or dharma, is a central aspect of his symbolism as an
' Rama's worship of Shakti ') is a poem in Hindi by Suryakant Tripathi 'Nirala'. It was published in 1937 in the second edition of Nirala's poetry collection Anamika . This long poem consists of 312 lines composed in Nirala's tailored poetic meter , Shakti Puja - a rhyming meter of twenty-four syllables.
The Adbhuta Ramayana is a Śāktaḥ Sanskrit work. It is considerably more obscure than both the Valmiki Ramayana as well as Tulsidas’ Awadhi version entitled Ramacharitamanasa, northern India's most popular version of the Ramayana story.
The text is in two parts, the early part called Rama purva Tapaniya Upanishad and the later part called Rama uttara Tapaniya Upanishad, which together with Ramarahasya Upanishad are Vaishnava Upanishads devoted to the Hindu god Rama. [5] [6] [7] The text presents Rama as equivalent to the Atman (soul, self) and the Brahman (Ultimate Reality ...
With love she narrated the entire story. After telling the entire story, seeing Rama’s face, she kept the lotus feet of Rama in her heart. Burning her body by the fire of Yoga, she became rapt in Rama's feet, a place of no return. O human! Various Karma, misdeeds and beliefs, are sorrowful, reject all. Having faith, says Tulsidas, adore Rama's