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This category is for English phrases which were invented by Shakespeare, and older phrases which were notably used in his works. The main article for this category is William Shakespeare . Pages in category "Shakespearean phrases"
A plague o' both your houses! is a catchphrase from William Shakespeare's tragedy Romeo and Juliet. The phrase is used to express irritation and irony regarding a dispute or conflict between two parties. It is considered one of the most famous expressions attributed to Shakespeare. [1]
William Shakespeare's play Hamlet has contributed many phrases to common English, from the famous "To be, or not to be" to a few less known, but still in everyday English. Some also occur elsewhere (e.g. in the Bible) or are proverbial. All quotations are second quarto except as noted:
Charles once again reached for Shakespeare, after quoting from the play Hamlet in his address to the nation last week. “As Shakespeare says of the earlier Queen Elizabeth, she was ‘a pattern ...
The line "all the world's a stage [...]" from Shakespeare's First Folio [1] Richard Kindersley's sculpture The Seven Ages of Man in London "All the world's a stage" is the phrase that begins a monologue from William Shakespeare's pastoral comedy As You Like It, spoken by the melancholy Jaques in Act II Scene VII Line 139.
"Friends, Romans": Orson Welles' Broadway production of Caesar (1937), a modern-dress production that evoked comparison to contemporary Fascist Italy and Nazi Germany "Friends, Romans, countrymen, lend me your ears" is the first line of a speech by Mark Antony in the play Julius Caesar, by William Shakespeare.
Bartlett's Familiar Quotations, often simply called Bartlett's, is an American reference work that is the longest-lived and most widely distributed collection of quotations. The book was first issued in 1855 and is currently in its 19th edition, published in 2022.
Examples of this influence include the large number of Shakespearean quotations throughout Dickens' writings [27] and the fact that at least 25 of Dickens' titles are drawn from Shakespeare, [28] while Melville frequently used Shakespearean devices, including formal stage directions and extended soliloquies, in Moby-Dick. [29]