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Robert Morris (February 9, 1931 – November 28, 2018) was an American sculptor, conceptual artist and writer. He was regarded as having been one of the most prominent theorists of Minimalism [1] along with Donald Judd, but also made important contributions to the development of performance art, land art, the Process Art movement, and installation art. [2]
According to the Solomon R. Guggenheim Museum, Robert Morris had a groundbreaking exhibition in 1968 that defined the movement. The museum's website notes that "Process artists were involved in issues attendant to the body, random occurrences, improvisation, and the liberating qualities of nontraditional materials such as wax, felt, and latex.
Robert Lee Morris (born 1947) [1] is an ... Morris was discovered in 1971 by New York gallery owner Joan Sonnabend and first exhibited his work at her art jewelry ...
A number of writers connected conceptual art with a general reductionist tendency in contemporary art of the time using phrases like ‘dematerialization’ [3] and referring to the influence of minimalism and in particular the influence of Robert Morris in relating the presentation of art objects to the contexts of their viewing in a way that ...
American artists notable for their contributions or influence to the Judson Dance Theater were painter Robert Rauschenberg, conceptual artists Robert Morris and Andy Warhol, and composer John Herbert McDowell. Choreographers who influenced the group included Merce Cunningham, Simone Forti, Anna Halprin, and James Waring, among others. [1]
Prominent artists associated with this movement include Ad Reinhardt, Nassos Daphnis, Tony Smith, Donald Judd, John McCracken, Agnes Martin, Dan Flavin, Robert Morris, Larry Bell, Anne Truitt, Yves Klein and Frank Stella. Artists themselves have sometimes reacted against the label due to the negative implication of the work being simplistic. [1]
Robert Morris, center, founding pastor of the megachurch Gateway, during a service at the church in Fort Worth, Texas. (Ilana Panich-Linsman / The New York Times / Redux file)
In the late 1960s the term Post-minimalism was coined by Robert Pincus-Witten to describe minimalist derived art which had content and contextual overtones which minimalism rejected, and was applied to the work of Eva Hesse, Keith Sonnier, Richard Serra and new work by former minimalists Robert Smithson, Robert Morris, Sol LeWitt, and Barry Le ...
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