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It was commissioned by Fort Worth National Bank. It was constructed in 1971 of painted sheet steel. It was erected, and dedicated on February 15, 1974. It was relocated in 2000 after being purchased by the Seattle Art Museum with funding from Jon and Mary Shirley. [3]
Alexander "Sandy" Calder (/ ˈ k ɔː l d ər /; July 22, 1898 – November 11, 1976) was an American sculptor known both for his innovative mobiles (kinetic sculptures powered by motors or air currents) that embrace chance in their aesthetic, his static "stabiles", and his monumental public sculptures. [1]
Black Widow, stabile, 1959, Sculpture Garden at Museum of Modern Art, New York City; Sandy's Butterfly, stabile/mobile, 1964, Sculpture Garden at Museum of Modern Art, New York City; Whale II, 1964 (1937), Sculpture Garden at Museum of Modern Art, New York City; Sidewalk Design, 1970, 1014-1018 Madison Avenue, New York City
Alexander Calder (July 22,1898–November 11,1976), an American sculptor, greatly developed the use of wire as a medium for sculpture with his kinetic and movement-based Cirque Calder, as well as pieces such as Two Acrobats, Romulus and Remus, and Hercules and Lion.
The Four Elements was a part of the exhibition Movement in Art (Rörelse i konsten), and the exhibition was on display in Moderna Museet from 16 May till 10 September 1961. As a memory of the artist's extensive presence in the exhibition, Calder's The Four Elements was left standing outside the museum. The artwork became a signature and a ...
In October, Calder was in New York for his annual visit and exhibition at the Perls Galleries. Klaus and Dolly Perls arranged a meeting of Alexander Calder and Joel Thome and asked Jean Lipman and Richard Marshall, who were preparing for the Whitney Museum’s Calder retrospective, to join them. Calder gave Thome his permission for the revival.
A CGI animation of the MoMA Snow Flurry. Year: 1948 Snow Flurry, I measures 238.7 cm × 208.8 cm and was gifted to the Museum of Modern Art (MoMA) by Calder in 1966. It was displayed at the Tate Modern in 2015, where curator Ann Coxon said that, based on the sculpture, "a sense of the natural world has also been important: [they were] looking at opening up some of the windows, getting a sense ...
Alexander Calder and four other artists were invited to submit proposals. Calder was approached through his dealer, Klaus Perls , on July 29, 1975, just after his 77th birthday. A sketch and a model for Mountains and Clouds were submitted by November and, in April 1976, Calder's innovative design was accepted.
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