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Professor and voice instructor Melinda Imthurn writes: "Since oversinging is not a technical term, it's hard to define. To one person it might mean pushing the voice beyond healthy singing technique, while to another it might mean embellishing a song too much, sometimes to the point where the melody is no longer recognizable."
Polyphonic overtone singing Pachelbel's Canon, performed by Wolfgang Saus Chirgilchin performing various styles of Tuvan throat singing.. Overtone singing, also known as overtone chanting, harmonic singing, polyphonic overtone singing, or diphonic singing, is a set of singing techniques in which the vocalist manipulates the resonances of the vocal tract to arouse the perception of additional ...
In its physical aspect, singing has a well-defined technique that depends on the use of the lungs, which act as an air supply or bellows; on the larynx, which acts as a reed or vibrator; on the chest, head cavities and the skeleton, which have the function of an amplifier, as the tube in a wind instrument; and on the tongue, which together with the palate, teeth, and lips articulate and impose ...
It is used in the teaching of singing and assists in defining what singing is, how singing works, and how singing technique is accomplished. Vocal pedagogy covers a broad range of aspects of singing, ranging from the physiological process of vocal production to the artistic aspects of interpretation of songs from different genres or historical ...
Vocal range plays such an important role in classifying singing voices into voice types that sometimes the two terms are confused with one another. A voice type is a particular kind of human singing voice perceived as having certain identifying qualities or characteristics; vocal range being only one of those characteristics.
A voice type is a classification of the human singing voice into perceivable categories or groups. Particular human singing voices are identified as having certain qualities or characteristics of vocal range, vocal weight, tessitura, vocal timbre, and vocal transition points (), such as breaks and lifts within the voice.
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Cantu a tenore – Sardinian style of polyphonic folk singing. Canzone Napoletana – Italian music sung in Neapolitan. Cape Breton fiddling – a Celtic style of fiddle playing. Capoeira music – Brazilian music played during performances of the martial art of the same name. Carimbó – music and dance from the northeast of Brazil.
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