Search results
Results from the WOW.Com Content Network
The William Farquhar Collection of Natural History Drawings consists of 477 watercolour botanical drawings of plants and animals of Malacca and Singapore by unknown Chinese (probably Cantonese) artists that were commissioned between 1819 and 1823 by William Farquhar (26 February 1774 – 13 May 1839). The paintings were meant to be of ...
Table featuring paintings by Thomas Cole; Image Title Year Medium Dimensions Collection Ref. Lake with Dead Trees [note 1] 1825 Oil on canvas 68.6 by 85.7 centimetres (27.0 in × 33.7 in) Allen Memorial Art Museum, Ohio [13] [14] View of Fort Putnam: 1825 Oil on canvas 69.2 by 86.4 centimetres (27.2 in × 34.0 in)
Lake with Dead Trees, also known as Catskill, is an oil-on-canvas painting completed in 1825 by Thomas Cole.Depicting a scene in the Catskill Mountains in southeastern New York State, this work is one of five of Cole's 1825 landscapes that initiated the mid-19th century American art movement known as the Hudson River School.
Juan Sánchez Cotán, Still Life with Game Fowl, Vegetables and Fruits (1602), Museo del Prado, Madrid. A still life (pl.: still lifes) is a work of art depicting mostly inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or human-made (drinking glasses, books, vases, jewelry, coins, pipes, etc.).
Pages in category "Paintings of trees" The following 19 pages are in this category, out of 19 total. ... Cypresses (Metropolitan Museum of Art) F. February Azure; G.
Bateman became a high school teacher of art and geography, and continued focusing his life on art and nature. [2] After two decades as a high school teacher, he became a full-time artist in 1976. A year later Mill Pond Press started making signed, limited edition prints of some of his paintings; over the years, these prints resulted in millions ...
File information Description Pablo Picasso, 1919, Paysage (Landscape with Dead and Live Trees) (Paisaje con árbol muerto y vivo), oil on canvas, 49.4 x 65.4 cm, Bridgestone Museum of Art, Tokio.
Rembrandt's teachers in Leiden were Jacob van Swanenburgh [note 1] (from 1621 to 1623, [5] with whom he learned pen drawing [6]) and Joris van Schooten. [note 2] [7]However, his six-month stay in Amsterdam in 1624, with Pieter Lastman and Jan Pynasc, was decisive in his training: Rembrandt learned pencil drawing, the principles of composition, and working from nature. [6]