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Other terms used for this body include body of glory, [2] spirit-body, luciform body, augoeides ('radiant body'), astroeides ('starry or sidereal body'), and celestial body. [ 3 ] The concept derives from the philosophy of Plato : the word 'astral' means 'of the stars'; thus the astral plane consists of the Seven Heavens of the classical planets .
Crowley explains that the most important practices for developing the Body of Light are: [15] 1. The fortification of the Body of Light by the constant use of rituals, by the assumption of god-forms, and by the right use of the Eucharist. 2. The purification and consecration and exaltation of that Body by the use of rituals of invocation. 3.
Max Heindel divided the subtle body into the Vital Body made of Ether; the Desire body, related to the Astral plane; and the Mental body. [37] Barbara Brennan 's account of the subtle bodies in her books Hands of Light and Light Emerging refers to the subtle bodies as "layers" in the "Human Energy Field" or aura.
The essays seek to understand and explain the relatively new movement of nonrepresentational art and defend these pioneering artists attempting to escape from the embraced realism and romanticism movements. [1] The dehumanization of art refers to the removal of human elements from these works, eliminating the content, but keeping the form.
Port with the disembarkation of Cleopatra in Tarsus (1642), by Claude Lorrain, Musée du Louvre, Paris. Light in painting fulfills several objectives like, both plastic and aesthetic: on the one hand, it is a fundamental factor in the technical representation of the work, since its presence determines the vision of the projected image, as it affects certain values such as color, texture and ...
Fitz Henry Lane, Lumber Schooners at Evening on Penobscot Bay, 1863, National Gallery of Art. Luminism is a style of American landscape painting of the 1850s to 1870s, characterized by effects of light in a landscape, through the use of aerial perspective and the concealing of visible brushstrokes. Luminist landscapes emphasize tranquility ...
In contemporary visual art, the rainbow often appears as well, notably in Peter Coffin's Untitled (Rainbow), 2005, [3] and in Ugo Rondinone's Hell, Yes!, 2001. [4] Like many other cultural references to the rainbow, these either emphasize the possible sublimity of the natural world or the cheerfulness, joy, and celebration often culturally ...
Light Art is a fairly new construction, as a mirror translation from Dutch or German: Lichtkunst. The pioneers of light art, being devoted to it, felt the necessity to give it certain names in order to distinguish their art from any other genres of art like painting, sculpture or photography.