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Medium close-up; Close-up; Extreme close-up; Where the camera is placed in relation to the subject can affect the way the viewer perceives the subject. Some of these many camera angles are the high-angle shot, low-angle shot, bird's-eye view, and worm's-eye view. A viewpoint is the apparent distance and angle from which the camera views and ...
Medium Close Up ("MCU" on camera scripts): Halfway between a mid shot and a close-up. Usually covers the subject's head and shoulders. Close Up ("CU"): A certain feature, such as someone's head, takes up the whole frame. Extreme Close Up ("ECU" or "XCU"): The shot is so tight that only a detail of the subject, such as someone's eyes, can be ...
the medium close-up, where more of the shoulder is visible than in the close-up, the close-up, where the shoulder line is visible, the extreme close-up, where the frame stops at the subject's chin and forehead. Three less often used field sizes are: the extreme long shot (used for epic views and panoramas),
Extreme close-up A shot framed so closely as to show only a portion of the face or of some object. Extreme long shot A shot in which the human figure would be extremely insignificant compared to its surroundings. A panoramic view photographed from a considerable distance and made up essentially of landscape or distant background. Fade in/out
An extreme wide shot in the trailer to the 1963 film Cleopatra gives an expansive view of the set.. In photography, filmmaking and video production, a wide shot (sometimes referred to as a full shot or long shot) is a shot that typically shows the entire object or human figure and is usually intended to place it in some relation to its surroundings. [1]
Some cameras can focus on subjects so close that they touch the front of the lens. It is difficult to place a light between the camera and a subject that close, making extreme close-up photography impractical. A normal-focal-length macro lens (50 mm on a 35 mm camera) can focus so close that lighting remains difficult.
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Simulation showing how adjusting the angle of view of a camera, while varying the camera's distance and keeping the object in frame, results in vastly differing images. At narrow angles and long distances, light rays are nearly parallel, resulting in a "flattened" image. At wide angles and short distances, objects appear foreshortened or distorted.