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"The Equal-Rights Banner" An American anthem for women's voting rights, the lyrics were written by Reverend C. C. Harrah, sung to the tune of "The Star-Spangled Banner". The second verse mentions the evil of "License", referring to alcohol abuse by men, a central issue for women in the Temperance movement. [1] 1891 (text) c.1890s (music)
Similarly in 1917, music was used again in the fight for women's rights when six women were arrested for protesting outside of the White House. [21] In response the women formed a song service which sparked song competitions across the country wherein the public could write and submit their own suffragist music.
HOT WIRE: The Journal of Women's Music and Culture was a women's music magazine published three times a year from 1984–1994. [ 26 ] [ 27 ] It was founded in Chicago by volunteers Toni Armstrong Jr., Michele Gautreaux, Ann Morris and Yvonne Zipter; Armstrong Jr. became the sole publisher in 1985. [ 28 ]
1970 – August 26 Women's Strike for Equality: Held nationwide, it brought out around 20,000 female protestors in D.C., New York City elsewhere to demand equal rights for women. The march helped expand the women's movement: 1970 – October 3 March for Victory
The 1990s also saw a sizable movement of pro-women's rights protest songs from many musical genres as part of the Third-wave feminism movement. Ani DiFranco was at the forefront of this movement, protesting sexism, sexual abuse, homophobia, reproductive rights as well as racism, poverty, and war. Her "Lost Woman Song" (1990) concerns itself ...
CBS was the first major network to cover women's liberation when it aired coverage on 15 January 1970 of the D.C. Women's Liberation group's disruption of Senate hearings on birth control as a small item in their broadcast. Within a week, the women's protests became leading stories on both CBS and ABC.
Formed out of the male-dominated music scenes of jam music (in the case of Bonnaroo), late-’90s indie rock (Coachella), and early ’90s alternative and grunge (Lollapalooza), these festivals tend to celebrate diversity while dismissing the most popular pop acts — the ones who tend to dominate the charts and who tend so often to be female ...
At the time of the protest, women still did not enjoy many of the same freedoms and rights as men. Despite the passage of the Equal Pay Act of 1963, which prohibited pay discrimination between two people who performed the same job, women comparatively earned 59 cents for every dollar a man made for similar work. [4]