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  2. Aeolian mode - Wikipedia

    en.wikipedia.org/wiki/Aeolian_mode

    The Aeolian mode is the sixth mode of the major scale, that is, it is formed by starting on the sixth degree of the major scale. For example, if the Aeolian mode is used in its all-white-note pitch based on A, this would be an A-minor triad, which would be the submediant in the relative major key of C major.

  3. List of musical scales and modes - Wikipedia

    en.wikipedia.org/wiki/List_of_musical_scales_and...

    Image Sound Degrees Intervals ... Aeolian mode or natural minor scale: Aeolian on C. ... A free Android app with scales & building chords for the scales;

  4. Half diminished scale - Wikipedia

    en.wikipedia.org/wiki/Half_diminished_scale

    The half diminished scale is a seven-note musical scale.It is more commonly known as the Locrian ♯ 2 scale [1] or the Aeolian ♭ 5 scale, names that avoid confusion with the diminished scale and the half-diminished seventh chord (minor seventh, diminished fifth).

  5. Bebop scale - Wikipedia

    en.wikipedia.org/wiki/Bebop_scale

    It contains all of the notes of both the harmonic minor scale and the natural minor scale (Aeolian mode) of the same root. It can be used on all three chords of a minor ii–V–I progression. It is the sixth mode of the bebop major scale: for instance, the C bebop harmonic minor scale has the same pitches as the E ♭ bebop major scale.

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  7. Aeolian dominant scale - Wikipedia

    en.wikipedia.org/wiki/Aeolian_dominant_scale

    The Aeolian dominant scale (Aeolian ♯ 3 scale), Mixolydian ♭ 6 scale, descending melodic major scale, or Hindu scale [1] [2] is the fifth mode of the ascending melodic minor scale. It is named Aeolian dominant because its sound derives from having a dominant seventh chord on the tonic in the context of what is otherwise the Aeolian mode .

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  9. Harmonic minor scale - Wikipedia

    en.wikipedia.org/wiki/Harmonic_minor_scale

    The harmonic minor scale (or Aeolian ♮7 scale) is a musical scale derived from the natural minor scale, with the minor seventh degree raised by one semitone to a major seventh, [2] [3] [4] creating an augmented second between the sixth and seventh degrees.