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In a jazz context, "waltz" signifies any piece of music in 3/4 time, whether intended for dancing or not. [5] Although there are early examples such as the "Missouri Waltz" by Dan and Harvey’s Jazz Band (1918) and the "Jug Band Waltz" or the "Mississippi Waltz" by the Memphis Jug Band (1928), they are exceptional, as almost all jazz before 1955 was in duple meter. [6]
"Fascination" is a popular waltz song with music (1904) by Fermo Dante Marchetti and lyrics (1905) by Maurice de Féraudy. [1] [2]It was first published in Hamburg (Anton J. Benjamin) and Paris (Édition F. D. Marchetti) in 1904 in a version for piano solo ('Valse Tzigane').
Orchestre de salon Eugénie: A Parisian salon orchestra specialized in French and Parisian dance music between 1850 and 1900 (waltz, polka, quadrilles, schottische). An important part of their activities and performances is dedicated to Émile Waldteufel, Léon Waldteufel (the brother) and Louis Waldteufel's music.
The waltz (from German Walzer [ˈvalt͡sɐ̯]), meaning "to roll or revolve") [1] is a ballroom and folk dance, in triple (3 4 time), performed primarily in closed position. Along with the ländler and allemande, the waltz was sometimes referred to by the generic term German Dance in publications during the late 18th and early 19th centuries. [2]
La plus que lente, L. 121 (French pronunciation: [laplyskəˈlɑ̃t], "The more than slow"), [1] is a waltz for solo piano written by Claude Debussy in 1910, [2] shortly after his publication of the Préludes, Book I. [3]
The famous French 10-part 7-hour silent film Les Vampires (1915, re-released on DVD in 2005) about an Apache gang "Les Vampires" contains a number of Apache dance scenes performed by real street Apache dancers, rather than actors. A notable detail is that during part of the waltz the man holds firmly onto the woman's hair, rather than her body.
Bal-musette is a style of French instrumental music and dance that first became popular in Paris in the 1880s. Although it began with bagpipes as the main instrument, this instrument was eventually replaced by the accordion, on which a variety of waltzes, polkas, and other dance styles were played.
The Grande valse brillante in E-flat major, Op. 18, was composed by Frédéric Chopin in 1833 and published in 1834. Chopin dedicated it to his pupil, Laura Horsford. [1] This was his first published waltz composition for solo piano, although prior to 1834 he had written at least sixteen waltzes that were either destroyed or eventually published posthumously.