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Naivety (also spelled naïvety), naiveness, or naïveté is the state of being naive. It refers to an apparent or actual lack of experience and sophistication, often describing a neglect of pragmatism in favor of moral idealism. A naïve may be called a naïf.
On Naïve and Sentimental Poetry (Über naive und sentimentalische Dichtung) is a 1795–6 paper by Friedrich Schiller on poetic theory and the different types of poetic relationship to the world. The work divides poetry into two forms.
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
A syllogism (Ancient Greek: συλλογισμός, syllogismos, 'conclusion, inference') is a kind of logical argument that applies deductive reasoning to arrive at a conclusion based on two propositions that are asserted or assumed to be true.
Field theory proposes that a person's behavior is a function of the person and the environment. [9] Lewin considered a person's psychological environment, or "life space", to be subjective and thus distinct from physical reality. [4] During this time period, subjectivist ideas also propagated throughout other areas of psychology.
Naïve realism: By means of our senses, we perceive the world directly, and pretty much as it is, meaning that our claims to have knowledge of it are justified Among contemporary analytic philosophers who defended direct realism one might refer to, for example, Hilary Putnam , [ 6 ] John McDowell , [ 7 ] [ 8 ] Galen Strawson , [ 9 ] John R ...
In modern times [15] "sentimental" is a pejorative term that has been casually applied to works of art and literature that exceed the viewer or reader's sense of decorum—the extent of permissible emotion—and standards of taste: "excessiveness" is the criterion; [16] "Meretricious" and "contrived" sham pathos are the hallmark of sentimentality, where the morality that underlies the work is ...
De idioot bij de vijver (The Idiot By the Pond, 1926, Frits Van den Berghe) Bronze statue of Milyo, a "village idiot" of Plovdiv. The village idiot is, in strict terms, a person locally known for ignorance or stupidity but is also a common term for a stereotypically silly or nonsensical person or stock character.