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Mudra is used in the iconography of Hindu and Buddhist art of the Indian subcontinent and described in the scriptures, such as Nātyaśāstra, which lists 24 asaṁyuta ("separated", meaning "one-hand") and 13 saṁyuta ("joined", meaning "two-hand") mudras. Mudra positions are usually formed by both the hand and the fingers.
The Buddha Preaching his First Sermon is a stone sculpture of the 5th-century CE showing Gautama Buddha in the "teaching posture" or dharmachakra pravartana mudrā. [2] The relief is 5' 3" tall, and was excavated at Sarnath, India by F. O. Oertel during the 1904–1905 excavation season of the Archaeological Survey of India (ASI); it was found in an area to the south of the Dhamek Stupa.
Statue of "the Buddha meditating." The Buddha's hands are in the dhyāna mudrā position. (Wat Xieng Thong, Luang Phrabāng, Laos) The most important aspect of the iconography of the Buddha is gestures made with the hands, known as mudrā. These gestures have meanings which are known throughout the Buddhist world, and when combined with the ...
Abhaya Buddha Mudra – Amoghsiddhi: Abhaya mudra represents the hand gesture of fearlessness and protection. The gesture of fearlessness and protection, usually shown as the left hand with palm turned outward and all fingers extended upwards. The symbolic meaning of the dispelling fear pose is an interpretation of the action of preaching.
These statues of the Buddha display characteristics and attitudes seen in the Greco-Buddhist art of Gandhara: the head of the Buddha is surrounded by a halo, the clothing covers both shoulders, the left hand hold the gown of the Buddha while the other hand form an Abbhiya mudra, and the folds in the clothing are more typical of the Gandharan ...
The Seated Buddha from Gandhara is an early surviving statue of the Buddha discovered at the site of Jamal Garhi in ancient Gandhara in modern-day Pakistan, that dates to the 2nd or 3rd century AD during the Kushan Empire. Statues of the "enlightened one" were not made until the 1st century CE.
Farther up, halfway to the summit, [3] a large standing image of the Buddha called the Shweyattaw (literally standing) or Byadeippay (prophesying) Buddha occupies the Shweyettaw Buddha Pavilion. The statue depicts the Buddha with his right hand pointing towards the city, a non-traditional mudra. Legend has it that the Buddha once visited the ...
Face of the statue, from 3 angles. Base of the statue. Standing Buddha, National Museum, New Delhi. Hand detail. From another direction, Chinese historical sources and mural paintings in the Tarim Basin city of Dunhuang accurately describe the travels of the explorer and ambassador Zhang Qian to Central Asia as far as Bactria around 130 BC, and the same murals describe the Emperor Han Wudi ...