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Tone in an artistic context refers to the light and dark values used to render a realistic object, or to create an abstract composition. When using pastel , an artist may often use a colored paper support, using areas of pigment to define lights and darks, while leaving the bare support to show through as the mid-tone.
In the fixed-tone pattern type of verse, poems were written according to preexisting models known as "tunes". This was the case with the ci and the qu: an individual poem was written so that its tone pattern (and line lengths) were the same as one of the model types, the poetic variation was in the change in the particular wording of the lyrics.
A tone in a contour-tone language which remains at approximately an even pitch is called a level tone. Tones which are too short to exhibit much of a contour, typically because of a final plosive consonant, may be called checked, abrupt, clipped, or stopped tones. It has been theorized that the relative timing of a contour tone is not distinctive.
The mood of a piece of literature is the feeling or atmosphere created by the work, or, said slightly differently, how the work makes the reader feel. Mood is produced most effectively through the use of setting, theme, voice and tone, while tone is how the author feels about something.
The tone pattern of one line must be the inverse of the other. This generally means if one character is of the level tone, its corresponding character on the other line must be of an oblique tone. The last character of the first line should be of an oblique tone, which forces the last character of the second line to be of a level tone.
The other three tones were termed the level (or even) tone (平 píng), the rising (上 shǎng) tone, and the departing (or going) tone (去 qù). [2] The practice of setting up the entering tone as a separate class reflects the fact that the actual pitch contour of checked syllables was quite distinct from the pitch contour of any of the ...
The difference in values is often called contrast, and references the lightest (white) and darkest (black) tones of a work of art, with an infinite number of grey variants in between. [6] While it is most relative to the greyscale, though, it is also exemplified within colored images. [3]
Many tone languages have contour tones, which move from one level to another. For example, Mandarin Chinese has four lexical tones. The high tone is level, without contour; the falling tone is a contour from high pitch to low; the rising tone a contour from mid pitch to high, and, when spoken in isolation, the low tone takes on a dipping ...