Search results
Results from the WOW.Com Content Network
Formosa Magazine, also known as Mei-li-tao (Chinese: 『美麗島』雜誌; pinyin: Měilìdǎo Zázhì; Wade–Giles: Mei-li-tao Tsa-chi; Pe̍h-ōe-jī: Bí-lē-tó Cha̍p-chì), was a magazine created by Tangwai individuals in Taiwan during the summer of 1979.
The Daozang (Chinese: 道藏; pinyin: Dàozàng; Wade–Giles: Tao Tsang) is a large canon of Taoist writings, consisting of around 1,500 texts that were seen as continuing traditions first embodied by the Daodejing, Zhuangzi, and Liezi.
Within the context of traditional Chinese philosophy and religion, Dao is a metaphysical concept originating with Laozi that gave rise to a religion (in Wade–Giles: Tao Chiao; in Pinyin: Daojiao) and philosophy (in Wade–Giles: Tao chia; in Pinyin: Daojia) referred to in English with the single term Daoism (aka Taoism).
During the medieval period (中世紀) Taoists developed the idea of the "true form" or zhenxing.The term "true form" denotes the original form something has as a part of the Dao (道, dào), which Taoists refer to as the "Great Image without form" (大象無形), [5] and can be applied to a broad range of things such as a deity, an icon, a purified self, a talisman, or a picture.
The use of Chinese concepts, such as the Tao, that were close to Buddhist ideas and terms helped spread the religion and make it more amenable to the Chinese people. However, the differences between the Sanskrit and Chinese terminology led to some initial misunderstandings and the eventual development of Buddhism in East Asia as a distinct entity.
Taoist landscape paintings often depict the virtues of the natural world as examples for man. In the Tao Te Ching (Daodejing), traditionally ascribed to Lao-Tzu, an older contemporary of Confucius, the author evokes the lessons that can be learned from trees in Book II, Chapter LXIV: [5]
Get AOL Mail for FREE! Manage your email like never before with travel, photo & document views. Personalize your inbox with themes & tabs. You've Got Mail!
While the original Neijing tu provenance is unclear, it probably dates from the 19th century (Komjathy 2004:11). All received copies derive from an engraved stele dated 1886 in Beijing's White Cloud Temple 白雲觀 that records how Liu Chengyin 柳誠印 based it on an old silk scroll discovered in a library on Mount Song (in Henan).