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"The Connick on Piano series will be purely instrumental, with all kinds of configurations: solo, big band, quartet, trio", Connick explains. The twelve Connick compositions on Other Hours was originally made for the 2001 musical Thou Shalt Not , which was the recipient of a Tony nomination for Best Original Musical Score (music & lyrics by ...
The first song to became "popular" through a national advertising campaign was "My Grandfather's Clock" in 1876. [3] Mass production of piano in the late-19th century helped boost sheet music sales. [3] Toward the end of the century, during the Tin Pan Alley era, sheet music was sold by dozens and even hundreds of publishing companies.
Carey had been playing his church's piano during off hours since he was very young, and was permitted to play the pipe organ as well. His family acquired a piano when he was seven, and at the age of eleven he got his first acoustic guitar and formed his first group, which played music by The Mamas and the Papas and others.
The song would wind up with two keyboards and one guitar. In the studio, the musicians worked on the song's arrangement, which took six days. Leavell created the transition between the piano and guitar solos. [5] Betts later likened the song's creation to architecture, noting that it is "meticulously constructed, and every aspect has its place ...
Instrumental rock was most popular from the mid-1950s to mid-1960s, with artists such as Bill Doggett Combo, The Fireballs, The Shadows, The Ventures, Johnny and the Hurricanes and The Spotnicks. Surf music had many instrumental songs. Many instrumental hits had roots from the R&B genre. The Allman Brothers Band feature several instrumentals.
"One of These Days" is the opening track from Pink Floyd's 1971 album Meddle. [4] [5] The composition is instrumental except for the spoken line from drummer Nick Mason, "One of these days, I'm going to cut you into little pieces."
In November 1967, singer Chris Farlowe was the first to release a version of the song, produced by Mike d'Abo. [3] It became a #33 hit in the United Kingdom for Immediate Records. This arrangement of the song included Dave Greenslade's piano blues-scale riff. The song was included as track 13 (of 14) on Farlowe's 1969 compilation album The Last ...
"Asia Minor" is a 1961 instrumental recording by Jimmy Wisner (operating under the name Kokomo so as to not alienate his jazz fans). [2] It is a rock and roll adaptation of Edvard Grieg's "Piano Concerto in A Minor", using shellac on the hammers of a cheap piano so as to induce a honky-tonk sound. [3]