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Deconstructivism is a postmodern architectural movement which appeared in the 1980s. It gives the impression of the fragmentation of the constructed building, commonly characterised by an absence of obvious harmony, continuity, or symmetry. [ 1 ]
Magliola's On Deconstructing Life-Worlds: Buddhism, Christianity, Culture [51] (1997; 2000–) has been robustly endorsed by Joseph S. O'Leary, Edith Wyschogrod, and John D. Caputo. Its first part is an exercise in Derridean "oto-biography", and its last part adapts some Derridean thought-motifs to Catholicism's theology of the Trinity .
Jacques Derrida (/ ˈ d ɛr ɪ d ə /; French: [ʒak dɛʁida]; born Jackie Élie Derrida; [6] 15 July 1930 – 9 October 2004) was a French philosopher. He developed the philosophy of deconstruction, which he utilized in a number of his texts, and which was developed through close readings of the linguistics of Ferdinand de Saussure and Husserlian and Heideggerian phenomenology.
It is believed that the term "deconstructivism" in relation to fashion began to be used after an architectural exhibition in 1988 at the Museum of Modern Art in New York. [7] The work that summarized the basic principles of deconstructivism in the 1990s can be considered the text by Alison Gill "Deconstruction Fashion: The Making of Unfinished ...
Barbara Johnson was born in Boston, Massachusetts, the only daughter of Gilbert and Priscilla (James) Johnson. She graduated from Westwood High School in 1965, attended Oberlin College from 1965 to 1969, and completed a Ph.D. in French at Yale University in 1977. [1]
In philosophy, deconstruction is a loosely-defined set of approaches to understanding the relationship between text and meaning.The concept of deconstruction was introduced by the philosopher Jacques Derrida, who described it as a turn away from Platonism's ideas of "true" forms and essences which are valued above appearances.
The querelle des femmes or "dispute of women" originally referred to a literary genre and broad debate, that originated in humanistic and aristocratic circles in the Italian peninsula and France during the early modern period, regarding the nature of women, their capabilities, and whether they should be permitted to study, write, or govern in the same manner as men.
Called the Water Pavilion (1993–1997), it has a fully computer-based shape manufactured with computer-aided design tools and an electronic interactive interior where sound and light can be transformed by the visitor.