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This is a list of deities playing a role in the Classic (200–1000 CE), Post-Classic (1000–1539 CE) and Contact Period (1511–1697) of Maya religion.The names are mainly taken from the books of Chilam Balam, Lacandon ethnography, the Madrid Codex, the work of Diego de Landa, and the Popol Vuh.
Kukulkan was a deity closely associated with the Itza state in the northern Yucatán Peninsula, where the religion formed the core of the Territorial religion. [7] Although the worship of Kukulkan had its origins in earlier Maya traditions, the Itza worship of Kukulkan was heavily influenced by the Quetzalcoatl religion of central Mexico. [7]
The corresponding Mayan god Kukulkan was rare in the Classic era Maya civilization. [10] However, in the Popol Vuh, the K'iche' feathered serpent god Tepeu Q'uq'umatz is the creator of the cosmos. [11]
Acat was a deity in Maya mythology associated with the process of tattooing. [1] The Maya placed great importance on the tattooing process, believing that tattoos in the image of a god would imbue a person with some of that god's power.
Examining the body, Doc discovers that his assailant is a Native American with peculiar markings; his fingertips are red, as if dipped in blood, while his chest bears an elaborate tattoo of the ancient Mayan god Kukulkan. Returning to his penthouse headquarters, Doc finds that intruders have destroyed his father's personal papers.
In the Maya area he was approximately equivalent to Kukulkan and Gukumatz, names that also roughly translate as "feathered serpent" in different Mayan languages. In the era following the 16th-century Spanish conquest of the Aztec Empire , a number of records conflated Quetzalcoatl with Ce Acatl Topiltzin , a ruler of the mythico-historic city ...
It is considered to be the equivalent of the Aztec god Quetzalcoatl [3] and of Kukulkan, of the Yucatec Maya. [4] Qʼuqʼumatz was also associated with water, clouds, and the sky. Together with Tepeu, god of lightning and fire, [5] it was considered to be the mythical ancestor of the Kʼicheʼ nobility by direct male line. [6]
Copan, 'Reviewing Stand' with simian musicians Labna, Palace, vaulted passage. The layout of the Maya towns and cities, and more particularly of the ceremonial centers where the royal families and courtiers resided, is characterized by the rhythm of immense horizontal stucco floors of plazas often located at various levels, connected by broad and often steep stairs, and surmounted by temple ...