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This article lists artworks produced by Marc Chagall (6 July [O.S. 24 June] 1887 – 28 March 1985), a painter who is associated with the modern movements after impressionism. The listing follows marcchagallart.net [ 1 ] and Harris, The Life and Works of Chagall , [ 2 ] except where noted.
The city of Berlin (West) founded a new museum of 20th-century art in 1949; [46] this was eventually merged with the Western branch of the National Gallery, [26] and West Berlin then created its own cultural centre, the Kulturforum, which included the Neue Nationalgalerie (New National Gallery), a modernist building designed by Ludwig Mies van ...
Renoir began the painting in about 1880–81, using the loose brushwork with dark and bright tones typical of the Impressionist movement. In about 1885, after losing his attachment to Impressionism and drawing inspiration from classical art he had seen in Italy and the works of Ingres and Cézanne, he reworked parts of the painting, particularly the principal female figure to the left of the ...
Henri Rousseau, The Centenary of Independence, 1892, Getty Center, Los Angeles Paul Cézanne, Les Joueurs de cartes, Metropolitan Museum of Art, New York. Post-Impressionism (also spelled Postimpressionism) was a predominantly French art movement that developed roughly between 1886 and 1905, from the last Impressionist exhibition to the birth of Fauvism.
National Museum of Western Art, Tokyo [16] Le Pont-Neuf (fr:Le Pont-Neuf) 1872: 74 cm × 93 cm (29 in × 37 in) National Gallery of Art, Washington, D.C. [17] Madame Monet Lying on a Sofa (fr:Madame Monet étendue sur un sofa) 1872-74: 54 cm × 72 cm (21 in × 28 in) Calouste Gulbenkian Museum, Lisbon, Portugal
Vision after the Sermon (Jacob Wrestling with the Angel) is an oil painting by French artist Paul Gauguin, completed in 1888. It is now in the Scottish National Gallery, Edinburgh. It depicts a scene from the Bible in which Jacob wrestles an angel. It depicts this indirectly, through a vision that the women depicted see after a sermon in church.
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Portrait of John Rewald, circa 1973. John Rewald (May 12, 1912 – February 2, 1994) was an American academic, author and art historian. He was known as a scholar of Impressionism, Post-Impressionism, Cézanne, Renoir, Pissarro, Seurat, and other French painters of the late 19th century. [1]