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Opponents of double negatives would have preferred I'm not entirely familiar with Nihilism or Existentialism; however this renders the sentence somewhat empty of the negative clause being advanced in the sentence. This form of double negative along with others described are standard ways of intensifying as well as enhancing a negative.
In rhetoric, litotes (/ l aɪ ˈ t oʊ t iː z, ˈ l aɪ t ə t iː z /, US: / ˈ l ɪ t ə t iː z /), [1] also known classically as antenantiosis or moderatour, is a figure of speech and form of irony in which understatement is used to emphasize a point by stating a negative to further affirm a positive, often incorporating double negatives for effect.
But the term "double negative" can sometimes refer to the standard English constructions called litotes or nested negatives, e.g., using "He is not unhealthy" to mean "He is healthy". In some cases, nested negation is used to convey nuance, uncertainty, or the possibility of a third option other than a statement or its negation.
(the NPI anywhere is used in the environment of the preceding negative not) Note that double-negative constructions like I was not going nowhere take on an opposing meaning in formal usage, but that this is not necessarily the case in colloquial contexts and in various lects, which parallels other languages which have negative concord.
Best practices • Don't enable the "use less secure apps" feature. • Don't reply to any SMS request asking for a verification code. • Don't respond to unsolicited emails or requests to send money.
Vegetables like carrots and potatoes deliver additional fiber and potassium, so it’s a double win. A 1-cup serving (sans bacon) contains 5 grams of filling fiber and 10 grams of protein.
Newark Advocate faith columnist Mark Katrick draws parallels between Phil Connors' personal growth in "Groundhog Day" and how God helps others grow.
The French actress Sarah Bernhardt was considered insufficiently understated in English terms. Photograph by Félix Nadar, c. 1864. This attitude of understatement was exemplified by a comment upon Sarah Bernhardt's violent depiction of Cleopatra in the 1891 play of that title: "How different, how very different, from the home life of our own dear Queen!"