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The Annunciation is a painting by the Italian Renaissance artist Leonardo da Vinci, dated to c. 1472–1476. [ n 1 ] Leonardo's earliest extant major work, it was completed in Florence while he was an apprentice in the studio of Andrea del Verrocchio .
The work of art itself is in the public domain for the following reason: Public domain Public domain false false This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer .
Especially in Early Netherlandish painting, images may contain very complex programmes of visual references, with a number of domestic objects having significance in reinforcing the theology of the event. Well-known examples are the Mérode Altarpiece of Robert Campin, and the Annunciation by Jan van Eyck in Washington.
Aix Annunciation; An Allegory of the Old and New Testaments; Annunciation (Reni) Annunciation (church of San Salvador) Annunciation (Lanfranco, Rome) Annunciation (Lorenzetti) Annunciation (Orazio Gentileschi, 1600) Annunciation (Pittoni) Annunciation (Bellini) Annunciation (Master Jerzy) Annunciation of Cortona; Annunciation of Fano
The Annunciation with Saint Margaret and Saint Ansanus is a painting by the Italian Gothic artists Simone Martini and Lippo Memmi, now housed in the Uffizi Gallery in Florence, Italy. It is a wooden triptych painted in tempera and gold, with a central panel having double size.
The Annunciation, with Saint Emidius is an altarpiece by Italian artist Carlo Crivelli showing an artistic adaptation of the Annunciation. [1] The Annunciation is a religious event described in the Bible which involves the archangel Gabriel appearing to the Virgin Mary and announcing a sacred message.
Annunciation is an oil on canvas painting by Giovanni Battista Pittoni, from c. 1757. It is held in the Gallerie dell'Accademia, in Venice. [1] History and description
The painting is influenced by several other artists, including Lippi's father Filippo (who often painted Annunciations) and Filippino's colleague Botticelli. The detailed and naturalistic flora in the foreground and background is typical of late-15th-century Florentine art, influenced by new works from the Low Countries and studies by Leonardo ...