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An early manuscript version, titled Twenty-One Hymns to the Rescuer Mother of Buddhas (二十一種救度佛母贊), described as an "Imperially commissioned translation of the hymn to the rescuer mother of Buddhas ... in Manchu, Tibetan, Mongolian, and Chinese scripts", was created in the late 18th century by calligrapher Yongrong 永瑢 (1744–1790).
The Shanti Mantras, or Pancha Shanti mantras, are Hindu prayers for peace found in the Upanishads. Generally, they are recited at the beginning and end of religious rituals and discourses. Shanti Mantras are invoked in the beginning of some topics of the Upanishads. They are believed to calm the mind and the environment of the reciter.
It comprises four hymns from Vedic sources, and is the final prayer sung at the end of āratīs. The word Mantrapushpanjali is made up of three elements, mantra (incantation), pushpa (flower), and anjali (a bowl-shaped cavity formed by hollowing and joining open palms together, as when offering or receiving alms).
Tamil Thai Valthu (Tamil: தமிழ்த்தாய் வாழ்த்து; "Prayer to Mother Tamil"), also known by the song's incipit, is the state song ...
The most-prominent hymn version of the prayer is "Make Me a Channel of Your Peace", or simply "Prayer of St. Francis", adapted and set to a chant-like melody in 1967 by South African songwriter Sebastian Temple (born Johann Sebastian von Tempelhoff, 1928–1997), who had become a Third Order Franciscan.
The Ashem Vohu (/ ˈ ʌ ʃ ɛ m ˈ v ɔː h uː /, Avestan: 𐬀𐬴𐬆𐬨 𐬬𐬊𐬵𐬏 aṣ̌əm vohū) is the second most important manthra, and one of the most important prayers in Zoroastrianism. [1] It is dedicated to Asha, a Zoroastrian concept denoting truth, order or righteousness. [2]
Prayer wheels with the mantra "Om mani padme hum" in Ranjana script at Swayambhu, Kathmandu. The coin reads "Shree Shree Jaya Bhupatindra Malla Dev 816" (1696 AD) in Prachalit script. Letter in Nepal Bhasa and Nepal script dated 7 May 1924 sent from Lhasa to Kathmandu. Nepal script used on letterhead of Nepalese business house in Lhasa dated 1958.
The Yenghe hatam is one of the four major manthras, and one of the most important prayers in Zoroastrianism. [1] It is interpreted as a call to pray specifically to the Amesha Spentas, [2] or generally to all Zoroastrian divinities.