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The tree will make a sound, even if nobody heard it, simply because it could have been heard. The answer to this question depends on the definition of sound. We can define sound as our perception of air vibrations. Therefore, sound does not exist if we do not hear it. When a tree falls, the motion disturbs the air and sends off air waves.
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Is the statement, "Yes, it obviously made a sound because all observed falling trees make a sound, and there is no detectable connection between the tree and the observer that affects sound production" equivalent to "Yes, we absolutely know it made a sound" —Preceding unsigned comment added by 65.96.163.148 15:11, 12 March 2010 (UTC)
"Helter Skelter" is a song by the English rock band the Beatles from their 1968 album The Beatles (also known as the "White Album"). It was written by Paul McCartney and credited to Lennon–McCartney. The song was McCartney's attempt to create a sound as loud and dirty as possible.
Abbey Road is the eleventh studio album by the English rock band the Beatles, released on 26 September 1969, by Apple Records.It is the last album the group recorded, [2] although Let It Be (1970) was the last album completed before the band's break-up in April 1970. [3]
Martin later described Rubber Soul as "the first album to present a new, growing Beatles to the world", [34] adding: "For the first time we began to think of albums as art on their own, as complete entities." [35] [36] It was the final Beatles album that recording engineer Norman Smith worked on before being promoted by EMI to record producer. [37]
The song then returns to verses sung over the A and B sections, [36] culminating in the line "I'll make love to you, if you want me to." [39] The arrival of the drut gat follows Hindustani convention by ending the composition at an accelerated tempo, although the brevity of this segment marks a departure from the same tradition. [40] [41]
[7] [29] Later released on the 1996 Anthology 2 outtakes compilation album, the performance includes the pair giggling, uttering spoken asides, and whistling along with the melody. [28] In his liner notes for the album, Beatles historian Mark Lewisohn comments that the tapes do not indicate the source of the laughter. [30] [nb 3]