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Billboard Hot 100 & Best Sellers in Stores number-one singles by decade Before August 1958 1940–1949 1950–1958 After August 1958 1958–1969 1970–1979 1980–1989 1990–1999 2000–2009 2010–2019 2020–2029 US Singles Chart Billboard magazine Billboard number-one singles chart (which preceded the Billboard Hot 100 chart), which was updated weekly by the Billboard magazine, was the ...
This article includes an overview of the major events and trends in popular music in the 1940s. In the developed world, swing, big band, jazz, Latin and country music dominated and defined the decade's music. After World War II, the big band sounds of the earlier part of the decade had been gradually replaced by crooners and vocal pop.
The Bell Telephone Hour, also known as The Telephone Hour, is a concert series broadcast on NBC Radio Network from April 29, 1940 to June 30, 1958. Sponsored by Bell Telephone as the name implies, it showcased the best in classical and Broadway music, reaching eight to nine million listeners each week. It continued on television from 1959 to 1968.
US BB 1940 #12, US #2 for 6 weeks, 17 total weeks 13: Glenn Miller and His Orchestra (Vocal Ray Eberle) "Blueberry Hill" [15] Bluebird 10768: June 13, 1940 () July 1940 () US BB 1940 #13, US #2 for 4 weeks, 19 total weeks 14: Will Bradley and His Orchestra: Beat Me Daddy, Eight to the Bar: Columbia 35530: May 21, 1940 ()
"Frenesi", an instrumental recorded by clarinetist Artie Shaw, occupied the number one position on the chart during the final two weeks of 1940. In 1940, The Billboard began compiling and publishing the National Best Selling Retail Records chart. Debuting in the issue dated July 27, it marked the beginning of the magazine's nationwide tracking ...
Music portal; This category is for songs issued as singles in the decade 1940s, i.e the years 1940 to 1949. 1890s; 1900s; 1910s; 1920s; 1930s; 1940s; 1950s; 1960s ...
Some swing era musicians, like Louis Jordan, later found popularity in a new kind of music, called "rhythm and blues", that would evolve into rock and roll in the 1950s. [1] Bebop emerged in the early 1940s, led by Charlie Parker, Dizzy Gillespie, Thelonious Monk, and others.
An early 1940s style known as "jumping the blues" or jump blues used small combos, uptempo music, and blues chord progressions. Jump blues drew on boogie-woogie from the 1930s. Kansas City Jazz in the 1930s as exemplified by tenor saxophonist Lester Young marked the transition from big bands to the bebop influence of the 1940s.