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"Exile" is a song by the American singer-songwriter Taylor Swift featuring the American band Bon Iver. It is from Swift's eighth studio album, Folklore (2020). "Exile" was written by Swift, Joe Alwyn (under the pseudonym William Bowery), and Bon Iver's frontman Justin Vernon, with production by Aaron Dessner and Alwyn.
"Kiss You All Over" is a 1978 song performed by American group Exile, written by Mike Chapman and Nicky Chinn. It was included on the band's third album, Mixed Emotions (1978), and featured lead vocalist Jimmy Stokley and guitarist J.P. Pennington on vocals.
Exile was founded in Richmond, Kentucky, in 1963 as the Exiles, [2] [3] by a group of students attending Madison High School.Randy Westbrook, in the book 50 Years of Exile: The Story of a Band in Transition, describes the band's origins as "murky" due to conflicting accounts among early members. [4]
"I Could Get Used to You" is a song written by J.P. Pennington and Sonny LeMaire, and recorded by American country music group Exile. It was released in November 1985 as the second single from the album Hang On to Your Heart. The song was the seventh number one country hit for Exile.
The fact that Alwyn has writing credits on some of Swift's most beloved songs — “Exile” and “Betty” off Folklore, “Champagne Problems,” “Coney Island” and “Evermore” off ...
"Heart and Soul" is a song written by Mike Chapman and Nicky Chinn and made famous by Huey Lewis and the News. The song was first recorded by Exile in 1981 as the title track to their album Heart and Soul. Exile's single failed to crack the Billboard Hot 100, peaking at No. 102 on the Bubbling Under Hot 100 Singles chart.
"The Closer You Get" is a song written by J.P. Pennington and Mark Gray and recorded by American band Exile in 1981. The song was most notably covered by American country music band Alabama and released in April 1983 as the title track and second single from the album The Closer You Get....
[2] The song's bluesy, murky atmosphere has drawn admiration from other artists. Singer/songwriter Tom Waits names it as one of his favorite recordings: "That song had a big impact on me, particularly learning how to sing in that high falsetto, the way Jagger does. When he sings like a girl, I go crazy," Waits says.