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La donna è mobile" (pronounced [la ˈdɔnna ˌɛ mˈmɔːbile]; "Woman is fickle") is the Duke of Mantua's canzone from the beginning of act 3 of Giuseppe Verdi's opera Rigoletto (1851). The canzone is famous as a showcase for tenors. Raffaele Mirate's performance of the bravura aria at
"Caro nome che il mio cor" (Sweet name that made my heart), or "Caro nome" for short, is an aria for coloratura soprano from act 1 of Verdi's opera Rigoletto. It is part of the standard Italian soprano vocal repertoire, [ 1 ] featured in numerous anthologies for soprano singers and in albums of highlights from the opera.
Rigoletto is an opera in three acts [a] by Giuseppe Verdi.The Italian libretto was written by Francesco Maria Piave based on the 1832 play Le roi s'amuse by Victor Hugo.Despite serious initial problems with the Austrian censors who had control over northern Italian theatres at the time, the opera had a triumphant premiere at La Fenice in Venice on 11 March 1851.
"Bella figlia dell'amore" ("Beautiful daughter of love") is a vocal quartet from the last act of Giuseppe Verdi's 1851 opera Rigoletto.. It has been described as a "masterful quartet that is an intricate musical depiction of four personalities and their overlapping agendas", [1] and has been performed and recorded by many notable artists.
In the Star Trek: Voyager episode, "The Void", the crew discovers a humanoid creature, whose healing process is helped along by an aria from the opera Rigoletto. The Doctor therefore names this creature Fantome, after the Phantom of the Opera, who he describes as "a tormented character who is soothed by music."
The melody was adapted from the operatic aria, "Caro nome," from the opera Rigoletto by Giuseppe Verdi. A hit version was recorded by Tony Martin on December 26, 1953. This recording was released by RCA Victor Records as catalog number 20-5665.
"And I just said, 'Rosanna, huh.' I think her name just fit perfect," Paich continues. Porcaro, 67, adds, "And I'm sure he had a little crush on her.
In later parlance, cabaletta came to refer to the fast final part of any operatic vocal ensemble, usually a duet, rather than just a solo aria. For example, the duet between Gilda and Rigoletto in Act 1, Scene 2 of Rigoletto ends with a relatively slow cabaletta, whereas the cabaletta for their duet in the finale of Act 2 is quite rousing.