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The sonata for violin and piano in G minor, L. 140, was written in 1917. It was the composer's last major composition and is notable for its brevity; a typical performance lasts about 13 minutes. The premiere took place on 5 May 1917, the violin part played by Gaston Poulet, with Debussy himself at the piano. It was his last public performance.
Violin Sonata in A minor, Op. 7 (published 1887) (Not mentioned in the list of works linked to in the article but recorded on Troubadisc [20] and noted in published articles- Dale's in Oct. 1949 Music & Letters.) Louis Spohr. Sonata for Violin and Harp in B-flat major, Op. 16; Sonata for Violin and Harp in E-flat major, Op. 113
Claude Debussy c. 1910. This is a complete list of compositions by Claude Debussy initially categorized by genre, and sorted within each genre by "L²" number, according to the 2001 revised catalogue by musicologist François Lesure, [1] which is generally in chronological order of composition date. "L¹" numbers are also given from Lesure's ...
Debussy composed the cello sonata as the first in a project, Six sonatas for various instruments, to compose six sonatas for different instruments. [1] It was prompted by a performance of the Septet by Saint-Saëns, inspiring Debussy to write chamber music again which he had neglected since his string quartet of 1893.
The earliest two works composed for flute, viola, and harp are Théodore Dubois's Terzettino (1905) and Claude Debussy's Sonata for Flute, Viola and Harp (1915). The Terzettino is a relatively short work in one movement lasting approximately five minutes, and its main theme is a lyrical, romantic-style melody. [4]
The Sonata for Violin and Cello (French: Sonate pour violon et violoncelle) is a composition written by Maurice Ravel from 1920 to 1922. He dedicated it to Claude Debussy, who had died in 1918. [1] It premiered on 6 April 1922 with Hélène Jourdan-Morhange playing the violin and Maurice Maréchal the cello. It is in the key of A minor, with ...
A violin sonata is a musical composition for violin, often accompanied by a keyboard instrument and in earlier periods with a bass instrument doubling the keyboard bass line. The violin sonata developed from a simple baroque form with no fixed format to a standardised and complex classical form.
He seemed to waver between the tendencies of César Franck and Vincent d'Indy and those of Claude Debussy. The violin sonata, the trio, the Poème de la Forêt derived more or less directly from the Franckian school, the Festin de l'Araignée and the Evocations from Debussyan Impressionism; and yet the hand of Albert Roussel alone could have ...
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