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Pomo baskets made by Pomo Indian women of Northern California are recognized worldwide for their exquisite appearance, range of technique, fineness of weave, and diversity of form and use. While women mostly made baskets for cooking, storing food, and religious ceremonies, Pomo men also made baskets for fishing weirs, bird traps, and baby baskets.
However, a market for genuine, traditional baskets opened the 1880s and lasted until the 1930s. [9] William and Mary Benson took advantage of this commercial opportunity. While Pomo men did not traditionally make the kind of fine baskets demanded by the market, William adapted his skill to the fine work done by women. [9]
Fully feathered baskets were very personal items, often given as a gift and destroyed at the death of the owner. [4] This ritual destruction contributed to the rarity of the baskets. Additionally, some tribes were subjected to the Spanish Mission process which destroyed much of their culture, including the basketry. [ 8 ]
Julia Florence Parker (born February 1928) [1] is a Coast Miwok-Kashaya Pomo basket weaver.. Parker studied with some of the leading 20th century indigenous Californian basketweavers: Lucy Telles (Yosemite Miwok-Mono Lake Paiute); Mabel McKay, (Cache Creek Pomo-Patwin) and Elsie Allen (Cloverdale Pomo).
Gavin Newsom apologizes to California tribes, including the Kashia Band of Pomo Indians in 2019. Kashia representatives are interviewed in the video. Essie Parrish (1902–1979) was an important Kashia Band basket weaver and a spiritual leader of the Kashia Tribe, she strove to sustain Pomo traditions throughout the 20th century. The current ...
Susan Santiago Billy (born Andrea Susan Santiago; October 5, 1884 – November 20, 1968) was a Native American Pomo basket weaver from the Hopland Band Pomo Indians of California in Northern California. Her parents were Silva Santiago and Tudy Marie Arnold. [1] In 1900, she married Cruz Billy, a leader at the Hopland Rancheria. [1]
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