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New York Dada was a regionalized extension of Dada, an artistic and cultural movement between the years 1913 and 1923. Usually considered to have been instigated by ...
Henri-Pierre Roché and Marcel Duchamp, visiting from France, organized the magazine with Beatrice Wood in New York City. Mina Loy also contributed to the first, Independents' Number issue. They published only one more issue, with the following contributors: Walter Arensberg (Axiom, Theorem, poems), Gabrièle Buffet-Picabia (Marie Laurencin ...
Elsa Baroness von Freytag-Loringhoven (née Else Hildegard Plötz; 12 July 1874 – 14 December 1927) was a German avant-garde visual artist and poet, who was active in Greenwich Village, New York, from 1913 to 1923, where her radical self-displays came to embody a living Dada. She was considered one of the most controversial and radical women ...
Dada (sometimes called Dadaism) is a post-World War I cultural movement in visual art as well as literature (mainly poetry), theatre and graphic design.The movement was a protest of the barbarism of the war; its works were characterized by a deliberate irrationality and the rejection of the prevailing standards of art.
God is a circa 1917 sculpture by New York Dadaists Morton Livingston Schamberg and Elsa von Freytag-Loringhoven. [1] [2] [3] It is an example of readymade art, a term coined by Marcel Duchamp in 1915 to describe his found objects. God is a 10½ inch high cast iron plumbing trap turned upside down and mounted on a wooden mitre box.
The volume was advertised in Duchamp's and Man Ray's journal New York Dada in 1921: "Order from the publishing house 'La Sirène' 7 rue Pasquier, Paris, DADAGLOBE, the work of dadas from all over the world […] The incalculable number of pages of reproductions and of text is a guarantee of the success of the book."
Francis M. Naumann (born April 25, 1948) is an American scholar, curator, and art dealer, specializing in the art of the Dada movement and the Surrealist periods. He has an MFA degree in painting from the Art Institute of Chicago (1973) and a PhD in art history from the Graduate Center of the City University of New York (1988).
Untitled (Two Women) earthenware with glazes by Beatrice Wood, 1990 Beatrice Wood (March 3, 1893 – March 12, 1998) was an American artist and studio potter involved in the Dada movement in the United States; she founded and edited The Blind Man and Rongwrong magazines in New York City with French artist Marcel Duchamp and writer Henri-Pierre Roché in 1917. [3]