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Umayyad religious architecture was the earliest expression of Islamic art on a grand scale [163] and the Umayyad Mosque of Damascus reproduced the hypostyle model at a monumental scale. [164] Moreover, the Umayyads did not come from a cultural void and were aware of their own Arabian cultural history.
[7] [12] It is also an exceptional monument within the context of Umayyad and wider Islamic architecture, in terms of both its form and function. [2] It was not a mosque but rather a shrine or commemorative monument, likely built to honour ancient religious associations with the site such as the creation of Adam and Abraham's sacrifice.
Sacral architecture (also known as sacred architecture or religious architecture) is a religious architectural practice concerned with the design and construction of places of worship or sacred or intentional space, such as churches, mosques, stupas, synagogues, and temples. Many cultures devoted considerable resources to their sacred ...
Contemporary mosque architecture combines traditional elements of mosque architecture with modern aesthetics, materials and techniques. As a religious sites, mosques date back to the 7th century. Contemporary approaches combine original tradition with modernity and sustainability, reflecting advancements in architectural theory and practice. [1]
Islamic ornament is the use of decorative forms and patterns in Islamic art and Islamic architecture. Its elements can be broadly divided into the arabesque , using curving plant-based elements, geometric patterns with straight lines or regular curves, and calligraphy , consisting of religious texts with stylized appearance, used both ...
The Qalawun complex (Arabic: مجمع قلاون) is a massive pious complex in Cairo, Egypt, built by Sultan al-Mansur Qalawun from 1284 to 1285. It is located at Bayn al-Qasrayn on al-Mu'izz street and like many other pious complexes includes a hospital (), a madrasa and mausoleum.
[7] [8] In Islamic culture, the patterns are believed to be the bridge to the spiritual realm, the instrument to purify the mind and the soul. [9] David Wade [b] states that "Much of the art of Islam, whether in architecture, ceramics, textiles or books, is the art of decoration – which is to say, of transformation."
The word mihrab originally had a non-religious meaning and simply denoted a special room in a house; a throne room in a palace, for example. The Fath al-Bari (p. 458), on the authority of others, suggests the mihrab is "the most honorable location of kings" and "the master of locations, the front and the most honorable."