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Poetic rhythm is the flow of words within each meter and stanza to produce a rhythmic effect while emphasising specific parts of the poem. Repetition– Repetition often uses word associations to express ideas and emotions indirectly, emphasizing a point, confirming an idea, or describing a notion.
Mozart's Piano Sonata, K 545 opening. The right hand plays the melody, which is in the top stave. The left hand plays the accompaniment part, which is in the lower stave. In the first bar of the accompaniment part, the pianist plays a C Major chord in the left hand; this chord is arpeggiated (i.e., a chord in which the notes are played one after the other, rather than simultaneousl
The term, bob and wheel, was first used by Edwin Guest in The History of English Rhythms. [2] The Pearl Poet uses the bob and wheel as a transition or pivot between his alliterative verse and a summary/counterpoint rhyming verse, as in this example from the first stanza of Sir Gawain and the Green Knight. The first 14 lines use a pentameter rhythm:
Metre (or meter): the basic rhythmic structure of a verse or lines in verse. Metres are influenced by syllables and their "weight" Metrical foot (aka poetic foot): the basic repeating rhythmic unit that forms part of a line of verse in most Indo-European traditions of poetry; Prosody: the principles of metrical structure in poetry
Medieval musicians had a wide variety of instruments available to them. The Anglo-Saxon scop and gleeman were replaced in the thirteenth century by the minstrel . In the early Middle Ages, ecclesiastical music was dominated by monophonic plainchant, the separate development of British Christianity until the eighth century, led to the ...
The article suggested they were used as rhythm instruments, playing a few notes repeatedly to keep time. This, the article suggests, was a reason to pair the instruments with fiddles. This would be especially true of the deep-neck citoles with a thumbhole, that would keep the hand on the neck from moving up and down the neck.
Dactylic hexameter (also known as heroic hexameter and the meter of epic) is a form of meter or rhythmic scheme frequently used in Ancient Greek and Latin poetry. The scheme of the hexameter is usually as follows (writing – for a long syllable, u for a short, and u u for a position that may be a long or two shorts):
English is an accentual language, and therefore beats and offbeats (stressed and unstressed syllables) take the place of the long and short syllables of classical systems. In most English verse, the metre can be considered as a sort of back beat, against which natural speech rhythms vary expressively.