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This is an incomplete list of Flemish painters, with place and date of birth and death, sorted by patronymic, and grouped according to century of birth. It includes painters such as Rubens from (or mostly active in) the Southern Netherlands , which is approximately the area of modern Flanders and modern Wallonia.
Sir Peter Paul Rubens (/ ˈ r uː b ən z / ROO-bənz; [1] Dutch: [ˈpeːtər pʌul ˈrybəns]; 28 June 1577 – 30 May 1640) was a Flemish artist and diplomat. [2] He is considered the most influential artist of the Flemish Baroque tradition. Rubens' highly charged compositions reference erudite aspects of classical and Christian history.
The Four Continents, also known as The Four Rivers of Paradise or The Four Corners of the World, is a painting by Flemish artist Peter Paul Rubens, made between 1612 and 1615. Rubens painted this piece during a time of truce in the Eighty Years' War known as the Twelve Years' Truce.
The 17th century was a period dominated by the distinct individuals Peter Paul Rubens in the Southern Netherlands and Rembrandt van Rijn in the newly independent Dutch Republic. [3] Dutch and Flemish painters both followed many of the same themes, including still life, genre, landscape, portraiture and classicism.
Art UK artwork ID: an-autumn-landscape-with-a-view-of-het-steen-in-the-early-morning-114292 [ edit on Wikidata ] A View of Het Steen in the Early Morning , also called Château de Steen with Hunter or simply Het Steen , is a landscape painting by Flemish artist Peter Paul Rubens , dating to around 1636.
The Great Last Judgement is an oil on canvas altarpiece, painted by the Flemish artist Peter Paul Rubens between 1614 and 1617. He created the composition and final touches and his is the only signature on the work, though it is believed between nine and nineteen studio assistants also worked on it.
Samson and Delilah is a painting long attributed to the Flemish Baroque artist Peter Paul Rubens (1577–1640) in the National Gallery, London. It dates from about 1609 to 1610. Two preliminary copies of the painting exist today: an ink-and-wash drawing on paper, and an oil sketch on wood panel.
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