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Earle has appeared in film and television, most notably as recurring characters in HBO's critically acclaimed shows The Wire and Treme. He has also written a novel, a play, and a book of short stories. Earle is the father of late singer-songwriter Justin Townes Earle with whom he frequently collaborated.
In 2006, the Archive removed all 34,000 tablatures on the site. [5] A note posted on the site indicated that those running the site had received "a 'take down' letter from lawyers representing the National Music Publishers Association and the Music Publishers Association", according to the linked letter on the front page. [6]
"The Wurlitzer Prize (I Don't Want to Get Over You)" is a song written by Chips Moman and Bobby Emmons, and recorded by American country music artist Waylon Jennings. It was released in September 1977 as the first single from the album Waylon & Willie. The song was Jennings' sixth number one on the country charts.
Never Say Die: Live is a live album by Waylon & The Waymore Blues Band, released on Sony Records through the Lucky Dog imprint in 2000.Jennings' third live album – after Waylon Live (1976) – and his last record of original material to be released during his lifetime, it was recorded at Nashville's historic Ryman Auditorium on January 5 and 6, 2000.
The Highwaymen was an American country music supergroup, composed of four of country music's biggest artists who pioneered the outlaw country subgenre: Johnny Cash, Waylon Jennings, Willie Nelson, and Kris Kristofferson.
Ralph Eugene Mooney (September 16, 1928 – March 20, 2011) [1] was an American steel guitar player and songwriter, he was inducted into the Steel Guitar Hall of Fame in 1983. [2] He was the original steel guitarist in Merle Haggard 's band, The Strangers and the most prominent steel guitarist in Waylon Jennings ' band, The Waylors .
Lonesome, On'ry and Mean is a studio album by American country music artist Waylon Jennings, released on RCA Victor in 1973. It was, after Good Hearted Woman and Ladies Love Outlaws, the third in a series of albums which were to establish Jennings as one of the most prominent representatives of the outlaw country movement.
On Country-Folk, Jennings worked with producer Danny Davis, a New York City veteran who had produced Connie Francis and Nina Simone.RCA Victor executive Chet Atkins, who also produced Jennings' albums, had called Waylon's 1966 debut Folk-Country in an attempt to market the singer to this new, younger audience, and this idea continued on Country-Folk.
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