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Simon the Leper (Greek: Σίμων ὁ λεπρός, Símōn ho leprós) is a biblical figure who lived in Bethany, a village in Judaea on the southeastern slope of the Mount of Olives. He is mentioned in the Gospels according to Matthew [ 1 ] and Mark . [ 2 ]
Simon subsequently recognizes Jesus as the Messiah and Jesus makes him his first disciple, renaming him Simon Peter. Joined by his followers, Jesus continues to preach and perform miracles. He frees Mary Magdalene of the demons who possess her, but after forgiving her sins in front of synagogue leaders, Ben Azra and Simon the Pharisee condemn ...
Simon was a Pharisee mentioned in the Gospel of Luke (Luke 7:36-50) as the host of a meal, who invited Jesus to eat in his house but failed to show him the usual marks of hospitality offered to visitors - a greeting kiss (v. 45), water to wash his feet (v. 44), or oil for his head (v. 46).
Risen is a 2016 biblical drama film directed by Kevin Reynolds and written by Reynolds and Paul Aiello. An American-Spanish co-production, the film stars Joseph Fiennes, Tom Felton, Peter Firth, and Cliff Curtis, and details a Roman soldier's search for Jesus's body following his resurrection.
Dasha (Leticia Magana) Dasha is the mother-in-law of Simon Peter and the mother of Eden. Jesse (Dennis Apergis) Jesse is a former paralytic from Ashkelon, who is healed by Jesus at the Pool of Bethesda. Yanni (Wasim No'mani) Yanni is a leading Pharisee in Jerusalem. Madai (Tony Sears) Madai is a leading Pharisee in Wadi Kelt.
From Veronese's mature phase, it was one of a series of monumental "Feasts" for monastery refectories of monasteries in Venice – The Wedding at Cana for San Giorgio Maggiore (now in the Louvre) and another The Feast in the House of Simon the Pharisee for Santi Nazaro e Celso (now in Turin) were earlier works in the series. [2]
The Big Fisherman is a 1959 American historical drama film directed by Frank Borzage about the life of Simon Peter, one of the disciples of Jesus.Starring Howard Keel, Susan Kohner and John Saxon, the production is adapted from the 1948 novel, The Big Fisherman (book) by Lloyd C. Douglas.
The look of the characters is also eclectic and, in some cases, anachronistic, resembling artistic depictions of different eras (the costumes of the Roman soldiers and the Pharisees, for example, are influenced by Renaissance art, whereas Jesus' appearance has been likened to that in Byzantine art as well as the work of Expressionist artist ...
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