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Tracery is an architectural device by which windows (or screens, panels, and vaults) are divided into sections of various proportions by stone bars or ribs of moulding. [1] Most commonly, it refers to the stonework elements that support the glass in a window.
A second important feature was the iron work. In early windows, before the introduction of stone tracery, the leaded panels of glass were inserted into an iron lattice or framework of upright and horizontal bars forming squares. The framework became a part of the design.
A sawyer mason is similar to a banker mason (see below) in that they work with rough pieces of stone and shape them according to certain standards. [1] The main difference between a sawyer mason and a banker mason is the size of the stone they work with – a sawyer mason typically works with much larger pieces and uses diamond-coated tools.
Tracery – the pattern of stonework found at the tops of many windows. Light – one discreet section of a window of any shape, but most usually applied to the tall vertical sections when the window is divided up by stone mullions. Tracery lights – the irregularly shaped sections of glass that fill the tracery at the tops of windows.
Practically every rose window contains at least one star. The star can be literal or it can be implied in the design work. The tree of Jesus was a popular theme in rose windows through the 12th–13th centuries. Curvilinear style; Plate tracery style; Bar tracery style; Rayonnant Gothic style. Example(s): Notre-Dame de Paris (1163–1345 A.D.)
As the windows became larger and larger, this led to the development of tracery, a network of stone ribs or mullions, reinforced by iron bars, that framed the lights, or sections of glass. [ 38 ] Early Gothic windows were small, and each light was set into a separate opening of the stone wall.
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The flamboyant tracery designs are the most characteristic feature of the Flamboyant style. [58] They appeared in the stone mullions, the framework of windows, particularly in the great rose windows of the period, and in complex, pointed, blind arcades and arched gables that were stacked atop one another, and which often covered the entire façade.