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Dimensions: 52.7 cm × 46.7 cm (20.7 in × 18.4 in) ... 24.197.1: Self-Portrait or Portrait of an Old Man is an oil-on-canvas painting by El Greco, likely dating to ...
A self-portrait of a colorless, but youthful, rounded oval face, in full-frontal view, emerges from a reddish-brown, textured, but indistinct background; the eyes of the face are open but the body belonging to the face is abstract, blurred by pencil strokes and the color of sepia ink; [1] the clothing worn by the subject is indistinguishable as it dissolves into the background with each pencil ...
In November 2022, work to restore the painting began. It was not possible to physically remove the added drapery without damaging the work, so the restorers planned to create a digital replica of the original version "using ultraviolet light, diagnostic imaging and X-rays to differentiate Gentileschi's brush strokes from those of the artist [who] covered the nudity". [9]
This category is about Self-portraiture, or Autoportraiture: field of art theory and history that studies the history, means of production, circulation, reception, forms, and meanings of self-portraits
Self-portrait: c. 1633?? Musée des beaux-arts de Marseille: The drawing is related to the etching B017 : Landscape with Two Cottages: c. 1633: Silverpoint on prepared parchment: 8.2 x 13.3 cm: Museum Boijmans Van Beuningen, Rotterdam: The drawing is related to the painting W206 : Study for the Painting of St. John the Baptist Preaching: c ...
Self-portraiture, or Autoportraiture is the field of art theory and history that studies the history, means of production, circulation, reception, forms, and meanings of self-portraits. [ 1 ] [ 2 ] [ 3 ] Emerging in Antiquity and becoming popular from the Renaissance as an artistic practice, as a specific field of study, self-portraiture is ...
The Standard Bearer is a three-quarter-length self-portrait by Rembrandt formerly in the Paris collection of Elie de Rothschild, and purchased by the Rijksmuseum for 175 million euros with assistance from the Dutch state and Vereniging Rembrandt in 2021.
It has been suggested that this difference in angle was an intentional variation from the series of self-portraits he was painting at the time. [4] Self-portrait Leaning on a Stone Sill, etching, 1639. This etching and the painted self-portrait of 1640 were inspired by paintings by Raphael and Titian. [1] Self-Portrait with Beret and Turned-Up ...