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The whetū (stars), purapura whetū (weaving pattern of stars) or roimata (teardrop) pattern is a geometric design using two colours and alternating between them at every stitch. This design is associated with the survival of an iwi (tribe), hapū (sub-tribe), or whānau (extended family), the idea being that it is vital to have a large whanau ...
The national colours of New Zealand orders are black, white or silver, and red ochre. New Zealand Orders have used these colours since 1975. [6] The national Māori flag also uses these colours, with attached symbolism. [7] Red ochre (kokowai) has a spiritual significance in Māori culture, associated with life and vitality. [6] [8]
The women's softball team is known as the White Sox, [24] and the women's cricket team is known as the White Ferns. At the 2020 Summer Olympics, New Zealand rowers wore white tops instead of black to help counteract Tokyo's hot and humid climate. [25] [26] In the 1980s, the national cricket team wore beige and brown as their colours. [27]
Maori Rafter Pattern 'Kowhai ngutukaka' Date: 1896: Source: Derived from Maori Art. Author: Augustus Hamilton: Licensing. Public domain Public domain false false:
An unfurling silver fern frond Koru kōwhaiwhai patterns on a rafter from the Ngāti Maru wharenui Hotunui The koru flag. The koru (Māori for 'loop or coil') [1] is a spiral shape evoking a newly unfurling frond from a silver fern frond. [2] It is an integral symbol in Māori art, carving and tattooing, where it symbolises new life, growth ...
Kete may be of many sizes but are most often found in sizes similar to large handbags. They can be used to carry a variety of things, including food. [2] Specialized kete were woven for each item that needed storage, resulting in dozens of specialized styles. [5]
The Ethnic Māori flag uses the colours: black, red ochre, and white or silver. Each of the colours references a realm in the creation story of Māori mythology: black is Te Korekore (potential being), red is Te Whai Ao (coming into being), and white is Te Ao Mārama (the realm of being and light). [1]
Painting by Gottfried Lindauer of a moko being carved into a man's face by a tohunga-tā-moko (tattooist) A collection of kōrere (feeding funnels). Historically the skin was carved by uhi [6] (chisels), rather than punctured as in common contemporary tattooing; this left the skin with grooves rather than a smooth surface.