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Scott B. Davis (born 1971) is an American photographer known for his black and white images of the Southern California landscape. Davis, who writes his name foregoing capitalization, [1] utilizes a century-old platinum printing process and self-built camera to make 16" x 20" contact prints.
The majority of monochrome photographs produced today are black-and-white, either from a gelatin silver process, or as digital photography. Other hues besides grey can be used to create monochrome photography, [1] but brown and sepia tones are the result of older processes like the albumen print, and cyan tones are the product of cyanotype prints.
The use of dye imbibition for making full-color prints from a set of black-and-white photographs taken through different color filters was first proposed and patented by Charles Cros in 1880. [1] It was commercialized by Edward Sanger-Shepherd, who in 1900 was marketing kits for making color prints on paper and slides for projection. [1]
Silver mirroring, or "silvering", is a degradation process of old black-and white-photographic prints caused by conversion of the black silver oxide to silver metal. This results in a slightly bluish, reflective patch in the darkest part of a print or negative when examined in raking light. It often indicates improper storage of the prints. [3]
In photography, toning is a method of altering the color of black-and-white photographs. In analog photography, it is a chemical process carried out on metal salt-based prints, such as silver prints, iron-based prints (cyanotype or Van Dyke brown), or platinum or palladium prints. This darkroom process cannot be performed with a color photograph.
Hand-colouring with watercolours requires the use of a medium to prevent the colours from drying with a dull and lifeless finish. Before the paint can be applied, the surface of the print must be primed so that the colours are not repelled. This often includes prepping the print with a thin coating of shellac, then adding grit before colouring ...
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